Arts – Writing New Jersey Life

A Thanksgiving: The Emily Dickinson Museum

On November 28, 2024

In Arts, Baking, Gardening, Travel, US History

Visitors receive a warm welcome at the Emily Dickinson Museum in Amherst and enjoy guided tours with Dickinson scholars. The museum has photos and exhibits that make it ideal for children and classes to tour. The Homestead, where Emily grew up, the Evergreens next door, where her brother Austin, his wife Susan, and their three children lived, and the carriage house are prominent features of the scenic grounds. Spacious and charming, The Homestead, a National Historic Landmark owned by Amherst College, underwent a restoration in 2022 based on descriptions from Emily’s letters and meticulous historical research about the family. The Evergreens, which had remained in the Dickinson family, eventually merged with The Homestead through the trust of Martha Dickinson Bianchi, Emily Dickinson’s niece, a poet, novelist, and editor of her aunt’s work, and the college.

The Homestead sits atop a knoll that has a stunning view of Amherst, which Emily took in each day from her bedroom window. In Emily’s lifetime, she had the run of 14 acres of land, eleven of which extended across the street. On the three acres surrounding The Homestead were an orchard, a peony garden, lilac bushes, a vegetable garden, a grape trellis, a honeysuckle arbor, a barn, and a “summer house covered in roses” (penn.museum). Emily’s avid love of gardening came from her mother, Emily Norcross Dickinson. Her brother Austin’s interest in landscape design was so keen that he engaged Frederick Law Olmsted, known best as the co-creator of Central Park, to improve Amherst Town Commons.

The Federal style Homestead, 1813

The Homestead, which features a conservatory, reopened in 2022

The Evergreens, 1856: “Italianate domestic architecture” (emilydickinsonmuseum.org)

A trip to the museum brings alive the relatable human aspects of a genius and the life that formed her. Emily Dickinson was a devoted and loving daughter, sister, sister-in-law, and aunt who owned a Newfoundland dog named “Carlo,” a gift from her father that she named after a dog in Jane Eyre. Emily loved gardening and was an amateur naturalist. Her mind was so focused on poetry that she wrote on the back of recipes, scraps of paper, and envelopes as she carried out her domestic duties during the day. Envelopes were handy as Emily was a faithful correspondent who wrote an estimated 1,000 letters and often included pressed flowers or bouquets from her garden with her letters: “My friends are my Estate” (archive.emilydickinson.org). She had a mischievous sense of humor conveyed through the wit of those letters and poems. Lest her observations seem too sharp, sweet blooming roses on her bedroom wallpaper are familiar to many a girl and woman. Though not a churchgoer in later years, Emily was a person of faith, perhaps influenced by the Transcendentalism of her time, reflected in her poems:

The Brain – is wider than the Sky –

For – put them side by side –

The one the other will contain

With ease – and you – beside –

The Brain is deeper than the sea –

For – hold them – Blue to Blue –

The one the other will absorb –

As sponges – Buckets – do –

The Brain is just the weight of God –

For – Heft them – Pound for Pound –

And they will differ – if they do-

As Syllable from Sound –

As Joyce Carol Oates, the lauded writer, the Roger S. Berlind ’52 Professor of the Humanities at Princeton University, and a delightful public speaker notes in her introduction to The Essential Emily Dickinson, Emily gave voice to readers’ interior lives, the hopes, thoughts, and doubts most everyone explores. As Ms. Oates conveys, Emily was a “great poet of inwardness, of that indefinable region of the soul in which we are, in a sense, all one,” which is one reason her poems resonate worldwide. With pensive reflection and few references to news or events, Emily’s poems stand outside of time. Ms. Oates describes Emily’s lyric poems as “revolutionary,” departing from the traditionally structured poems of her time, sometimes even inverting sentence structure in a playful adaptation of the rules of Latin grammar.

Ms. Dickinson’s poems often stand outside of a setting as well, “scenelessness” (Monica Cooper, classicalpoets.org):

Summer laid her simple Hat

On its boundless Shelf –

Unobserved – a Ribbon slipts,

Snatch it for yourself.

Summer laid her supple Glove

In its sylvan Drawer –

Wheresoe-er, or was she –

The demand of Awe?

Biographical overview

Emily, her brother Austin, and sister Lavinia

Emily Dickinson, 1830-1886, was a well-educated woman and used this in her poetry. Born at The Dickinson Homestead, she was the middle sibling between older brother Austin and younger sister Lavinia or “Vinnie” in a closely knit family. Her grandfather, Samuel Fowler Dickinson, built the stately home, the first brick one in Amherst. He was a prominent attorney and a founder of Amherst College. Emily lived at The Homestead for most of her 55 years with fifteen spent at another house in town after Samuel had overextended himself financially to support the fledgling Amherst College. Some historians view his son Edward, Emily’s father, as being frugal and stern, which perhaps he was. He grew up, however, as the eldest in a family of nine, saw his family’s finances fold, and rebuilt his immediate family’s fortune enough so that he could repurchase the lost Dickinson Homestead. Edward had his daughters formally educated in an era when many girls received only tutoring at home. He married Emily Norcross, a well-educated woman, though “shy and retiring”.

As a girl, Emily studied for seven years at Amherst Academy, where her love of nature flourished with studies in botany. She created a herbarium, a collection of pressed plant specimens, with more than 400 types of plants. Visitors will see replicas of some pages on the tour. At the academy, Emily also studied composition, Latin, geology, and astronomy and had access to lectures at Amherst College.

Interior of the Talcott Greenhouse, Mount Holyoke Botanic Garden

The Talcott Greenhouse

Slender yellow woodsorrel

A 17-year-old Emily tested and placed in the middle of three levels at Mt. Holyoke Female Seminary in nearby South Hadley and might have graduated in two years. She found it confining, however, perhaps due to its strict Calvinism at the time and left after one year. Emily favored the sciences over religious studies, which did not align with the revival of Calvinism throughout Massachusetts (The Guardian):

“Faith” is a fine invention

When Gentlemen can see –

But Microscopes are prudent

In an Emergency.

Emily, 16, whose hair was reportedly red in childhood, and later auburn; her eyes were a dark hazel

One fun tidbit from the tour is that Emily’s father gave her mother a book on housekeeping as a wedding gift. Mrs. Dickinson took this to heart and, though the family could afford servants, she and the girls did all the housework for 25 years. Emily’s work flourished upon the engagement of a housekeeper.

The petite genius who often dressed in white wrote at a tiny desk in her bedroom and kept her poems in packets, “fascicles,” sometimes sewn together. Enjoy hearing details about her bedroom’s restoration on the museum’s YouTube channel.

Around 1860, when Emily was 30, she began withdrawing from public life. Some speculate that her reclusiveness was due to an eye condition. Her work became more prolific, so it is possible that she did not want interruptions. Regardless of the reason, she continued to read poetry, novels of her time, the Bible, The Springfield Republican, a highly regarded newspaper, and The Atlantic Monthly. With her family, Emily traveled to see family in Massachusetts and went on trips to Philadelphia and Washington, DC.

The circle of Emily’s immediate family grew with Austin’s marriage to Emily’s friend from Amherst Academy, Susan Huntington Gilbert, the greatest recipient of Emily’s poems and a helpful critic. Some scholars believe that Emily’s feelings towards Susan extended beyond friendship. Emily was a doting aunt to Susan and Austin’s children Edward (“Ned”), Martha (“Mattie”), and Thomas Gilbert (“Gib”). One of her pastimes as a fun aunt was lowering gingerbread on the sly from her bedroom window to her nephews, niece, and their friends.

In middle age, she and her sister Lavinia, who kept the house running, cared for their mother, who was partially paralyzed after a stroke, with the help of their maid Margaret Maher. Mrs. Dickinson resided in a room adjoining Emily’s. (Their father had died suddenly while away from home when Emily was 43 which left the family grief-stricken twice over, not having had the opportunity to say goodbye.) Though Emily and her mother were not close, Emily reportedly never complained about caring for her for seven years and spoke of her with great affection.

Egyptian lotus at the Talcott Greenhouse

After the death of Emily’s beloved nephew Gib, 8, from typhoid fever and the loss of a friend and one-time suitor Judge Otis Philips Lord some months later, Emily’s health began to decline. She died a few years later at 55 from Bright’s disease, which was a catch-all for unknown causes.

Publication

Of the nearly 1,800 poems Emily wrote, only ten were published in Emily’s lifetime, anonymously and likely without her approval. The lack of publication may be a combination of factors: Emily’s reserve, her father’s conservative views on women and publication, and discouragement from a friend and correspondent, Thomas Wentworth Higginson, an editor of The Atlantic Monthly. Emily had read his letter to young writers in the magazine and submitted four poems to him. Thomas did not recognize her genius and discouraged her, but they continued to correspond and eventually met.

After Emily’s death, Lavinia found hundreds of her sister’s untitled, numbered poems in a bedroom drawer. More kept turning up on scraps and the backs of various household papers which revealed Emily’s discipline and dedication to her writing. Lavinia sought to have her sister’s poems published, but grief and a fractious division within the family resulted in a heavily edited publication by an Amherst College professor’s wife, Mary Loomis Todd, who had insinuated herself into the Dickinson family, and Thomas Wentworth Higginson. As co-editors, the two “corrected” Emily’s poems to reflect the poetic style of the Victorian era. The first time Emily’s poems appeared in print as she wrote them was in a 1955 edition from Harvard University Press edited by R.W. Franklin, the Director of the Beinecke Rare Book & Manuscript Library at Yale University.

For a list of noteworthy publications of Emily’s poems, kindly visit the museum’s page.

A 2016 definitive edition of Emily poems by Cristanne Miller, SUNY Distinguished Professor and Edward H. Butler Professor of Literature, University of Buffalo, an Emily Dickinson scholar who also edited and wrote several other books on the poet

The enigmatic Emily Dickinson loved riddles, and it is a joy to explore the meaning of her intricate poems. One of the museum’s exhibits demonstrates how Ms. Dickinson’s poems often had alternate words in the margins. One wonders if, rather than being “unfinished,” in the mind of a gifted gardener, Emily’s poems were organic: ever-growing and ever-changing. Though her thoughts about publishing seemed ambivalent, publishing a poem defines it at least for the readers. Given the private nature of Emily’s writing, her sophisticated use of sound is another impressive aspect of her poetry.

Perhaps there is an irony in writing a travel piece about someone known as a recluse, but as our guide, Brenna shared, that term may be misleading for someone who had the run of a large working farm and gardens. Emily Dickinson lived a full life on her terms and was sociable within her world. Many of her poems concern death, which was all around her. She lost cousins at an early age, lived through the Civil War, and saw people pass away from fevers or illnesses easily remedied today. (The average lifespan in 1860 was 39.4 years.) Emily’s most prolific writing period was 1855-1865. Though she never directly references the Civil War, it impacts her work. At the very least, the act of creativity in writing and gardening, is life-affirming. Though there were hardships for the family, as there were for many in those years, the cheer of The Homestead belies this.

Emily once wrote to a friend, “If we love flowers, are we not born again every day?” A curator for the New York Botanic Garden’s “Emily Dickinson’s Garden: The Poetry of Flowers” (2010) shared this in a PBS interview on YouTube and the wonderful realization of Emily’s that pressed flowers, like poems about them, live on. Enjoy a virtual tour of Emily’s garden from the NYBG exhibition.

Though Emily Dickinson could explore the depths of the soul, she shared that soul’s resilience:

“Hope” is the thing with feathers –

That perches in the soul –

And sings the tune without the words –

And never stops – at all –

And sweetest – in the Gale – is heard –

And sore must be the storm –

That could abash the little Bird

That kept so many warm –

I’ve heard it in the chillest land –

And on the strangest Sea –

Yet – never – in Extremity,

It asked a crumb – of me.

Emily composed a poem for “Thanksgiving Day,” which is shared somewhat from the viewpoint of an outsider but conveys that our thanks are never sufficient:

…Not a mention whose small Pebble

Wrinkled any Sea,

Unto such, were such Assembly,

‘Twere “Thanksgiving day”

Children often initially read or hear “A Bird Came Down the Wall,” but the first that resonated with me was one I read as a teen:

The Souls Selects her own Society –

Then – shuts the Door –

To her divine Majority –

Present no more –

Unmoved – she notes the Chariots –

pausing –

At her low Gate –

Unmoved – an Emperor kneeling

Upon her Mat –

I’ve known her – from ample nation –

Choose One –

Then – close the Valves of her attention –

Like Stone.

Gardening

Emily’s renown was as a gardener, and gardening offered her a world of metaphor for her poetry. A striking feature of the street view of Emily’s home is the sparkling glass of the conservatory in which she grew ferns and flowers year-round. In a greenhouse that her father had built for his daughters, Emily grew gardenias, carnations, jasmine, fuchsia, and heliotropes. She often used those flowers like violets, one of her favorites, in baking, another pastime.

Of Emily’s gardens, her niece Martha recalled “a mass of meandering blooms” composed of “daffodils, hyacinths, chrysanthemums, marigolds, peonies, bleeding heart and lilies…and Greville roses” (nytimes.com).

As an insight into Emily Dickinson’s gardening life, readers may enjoy the gloriously illustrated and detailed Emily Dickinson’s Gardening Life by Marta McCall, Chatham, NJ, who teaches at the New York Botanic Garden and was the 2018 gardener in residence at the Emily Dickinson Museum. Bought this with good intentions as a reference for this post, but it will be a cozy winter read in anticipation of spring.

Baking

Emily won second place in a baking competition with her “Indian loaf and rye bread” (tastingtable.com) and enjoyed baking for her family, friends, and neighbors. The home-baked gifts sometimes included edible flowers from her garden. The Homestead had three types of grapes, and the family made jams and wine. Emily’s popular gingerbread recipe is on innumerable blogs as well as the museum’s website. As a fun addition to the Thanksgiving meal, I added this:

Emily Dickinson’s Recipe for Gingerbread:

1 quart flour
1/2 cup butter
1/2 cup cream
1 tablespoon ginger
1 teaspoon soda
1 teaspoon salt
Make up with molasses (a little more than a cup is about right)

Cream the butter and mix with lightly whipped cream. Sift dry ingredients together and combine with the other ingredients. The dough is stiff and needs to be pressed into whatever pan you choose. A round or small square pan is suitable. Bake at 350 degrees for 20–25 minutes. (The recipe is via the nybg.com blog with the addition of a simple icing with confectioner’s sugar and edible violets. Enjoy making more of Emily’s recipes via novelist Emily Temple on Literary Hub.)

Since Emily’s grandfather co-founded Amherst College, this will include a brief pitch made in gratitude for the Five College (Amherst College, Smith College, Mt. Holyoke College, the University of Massachusetts, and Hampshire College) experience. A free bus takes students around to each school. When this started about the time of my senior year at Smith College, it led to the discovery of brilliant foreign films with friends at the Amherst Cinema, views of the golden autumn and pumpkin-laden fields of South Hadley on visits to a friend at Mt. Holyoke, and later her graduation at the hillside amphitheater, the music of Rimsky-Korsakov played by the Moscow Philharmonic at UMass concert hall (now the Frederick C. Tillis Performing Arts Center, part of the Randolph W. Bromery Center for the Arts), and “Plan 9 from Outer Space” and other horror classics at a fun Halloween festival at Hampshire College. All these experiences of the arts were as rich as any in New York City and made affordable to students in the days before ride shares allowed for the ease of off-campus trips and travel to Boston.

A later spontaneous trip to Amherst, which was to have included the Emily Dickinson Museum, began with Amherst College’s Beneski Museum of Natural History with its incredible dinosaur fossils. As it turned out, planning to visit the popular museum is advised. The museum is open March-December, Wednesday-Sunday 10-5 with last admission is at 4 p.m.. A key suggestion is to purchase tickets online before the trip, an invaluable tip from tripadvisor.com reviews. The Evergreens, newly restored, and its former carriage house, now under construction as a welcome center, should reopen in the spring, which is all the more reason for another visit as well as to enjoy the gardens. Enjoy updates by subscribing to the newsletter and following the museum’s social media.

Sincere thanks to the charming and scholarly Brenna who was a wonderful guide. Anything on point is a credit to Brenna, any detours, hopefully, few, are mine.

A view of the beautiful trees on the museum grounds and the carriage house construction

Donations and items from the shop support the museum: Emily Dickinson Museum Shop. Join the free online party on December 10^th for Emily Dickinson’s birthday (in-person is sold out!) and a virtual tour. As Frommer’s Travel Guide notes, Dickinson enthusiasts may also enjoy a tour of the Houghton Dickinson Room at Harvard University’s Houghton Dickinson Library, which features Ms. Dickinson’s writing desk, books from the family library, and other original items of the home.

Happy Thanksgiving!

Beautiful tree on the Amherst Town Common, such nice people there

(Additional sources: emilydickinsonmuseum.org, amherst.edu, mtholyoke.edu, poetryfoundation.org, poetry.org, drupal.yearbooks.yale.edu, poemanalysis.com, Britannica.com, edsitement.neh.gov,frommers.com, dbu.edu, penn.museum, journeys.dartmouth.edu, theatlantic.com, nytimes.com, buffalo.edu, princeton.edu, owlcation.com, tastingtable.com, quotefancy.com, lindaborromeo.com, frankhudson.org, publishersweekly.com, statistics.com, Wiki)

Sunny mums at the Hotel Northampton

Seward Johnson’s Invitation to Grounds for Sculpture

By Kathleen Helen Levey

On April 26, 2024

In Art, Arts, Culture, Museum, STEAM, Travel, US History

Come with me, and you’ll be
In a world of pure imagination
Take a look, and you’ll see
Into your imagination

“Pure Imagination” from “Willy Wonka” by Leslie Bricusse and Anthony Newley

Beautiful peacocks wow visitors at Grounds for Sculpture

View from “Put Yourself in the Picture” by Roberto Lugo

Grounds for Sculpture is founder and sculptor Seward Johnson’s invitation to embrace art. Visitors, especially children, often hug or play with sculptures like they are old friends, sitting beside them at picnic tables or in outdoor cafes. Many have had the experience of bumping into a Seward Johnson statue around the country (and the world) and uttering, “Excuse me,” only to stop and laugh at the realization that it is not an actual person. The artist’s playful gotcha game continues with a celestial wink.

Beautiful orchard of Japanese cherry, apple blossom, and crab apple trees

The fun, a reflection of hard work, generosity, and planning, began in 1992 as an outgrowth of the Johnson Atelier, which Mr. Johnson founded in 1974, initially in Princeton, as a community for sculptors. The Atelier was ground-breaking by offering sculptors the opportunity to keep control of their work and have access to production methods formerly kept close to the vest within the sculpture world. By all accounts, the Atelier sculptors’ collaborations were, and are, rewarding and fun. The institute has the reputation of being the finest foundry for bronze casting in the country and among the best in the world. (Early collaborators and friends of Seward Johnson from the Atelier, sculptors Herk Van Tongeren, Isaac Witkin, and Brooke Barrie, contributed to the direction of the sculpture park that grew from the Atelier. Mr. Van Tongeren became the first Grounds for Sculpture president and executive director, and Ms. Barrie was the inaugural academic director, curator, and a successive director.) Seward Johnson’s generosity is a gift that keeps giving as sculptors have gone on from the Atelier to form schools and flourish as artists. Visitors may sometimes see the artists at work in the Atelier when exploring the grounds. Today, the Atelier also curates the exhibitions of Seward Johnson’s works, which help to increase tourism wherever the sculptures go.

“Put Yourself in the Picture” by Roberto Lugo

“Captured” by Seward Johnson with a woman reading his daughter’s book of poetry (June 2023)

What has changed most over the past several years at Grounds for Sculpture is that the core group of visitors has expanded from traditional art lovers to a crowd more reflective of those who would have visited when Grounds for Sculpture was the New Jersey State Fairgrounds. Through grants from a foundation, Mr. Seward purchased the neglected 42 acres of the former fairgrounds and gradually transformed them with the same generous thought he had behind the placing of his inviting “Everyman” sculptures in public parks – they are a way to draw people back into the park. Among the art lovers at Grounds for Sculpture are international travelers, which indicates the appeal of the art. On a weekend visit this month, children with their families on holiday from overseas sported cartoon T-shirts like the Incredible Hulk. Perhaps Seward Johnson might have taken it as a compliment that budding connoisseurs consider his art, too, a marvel.

The Seward Johnson Center for the Arts (June 2023)

The children are in it for fun, which abounds at Grounds for Sculpture. On an April weekend visit, a giant stone snake was a hit with children who ran along it, as were the Cloud Swings, which had parents and grandparents playing with their children. Ideally, the art and events will inspire children’s lifelong creativity, and there are online activities for young artists to try before they visit.

Founder Seward Johnson

“It’s easy sometimes to forget the simple things that give us pleasure. If we open our eyes, life is marvelous.” Seward Johnson

Seward Johnson with Cecelia Joyce Horton and her parents on Cecelia and Seward’s wedding day

Seward Johnson II, born in New Brunswick, NJ, April 16, 1930, lived a New Jersey story as much as a worldwide one, having resided in Highland Park, Hopewell, and Princeton at different times. His parents were J. Seward Johnson, Jr. and Ruth Dill. His grandfather, Robert Wood Johnson, Sr., was a co-founder of the well-known pharmaceutical company Johnson & Johnson, and his maternal grandfather was Lieutenant-Colonel Thomas Melville Dill OBE, a Bermudian who served as an attorney-general and a member of Parliament. Not long after the Lindbergh kidnapping, Seward’s father foiled a kidnapping attempt in the Johnson family home, the Merriewold Estate Castle in Highland Park, which led to the family’s far-flung stays in London, Paris, Bermuda, and the New Mexico Ghost Ranch of Georgia O’Keefe. A fun tidbit is that Mr. Johnson’s cousins on his mother’s side are Michael and Joel Douglas, sons of Diana Dill and Kirk Douglas. Kirk once asked Seward to sculpt a bust of him, which Seward graciously did. Though portraiture was not usually “his thing,” it was a compliment that his famous uncle asked. The sculpture featured the striking dual faces of Kirk, whom the 16-year-old Seward first knew, and the Kirk of what was then 2002.

Following the philanthropic example of Robert Wood Johnson, J. Seward Johnson, Jr. set up six charities for each of his children to contribute to society, Seward’s being the Atlantic Foundation. It was through grants from the Atlantic Foundation that Seward purchased the land for the Atelier and Grounds for Sculpture and funded the Harbor Branch Oceanographic Institute Foundation, which his father had founded in 1971 for “preserving the environment through a deep, scientific understanding of the ocean”. The foundation supports marine research, classes, and marine mammal rescue as part of the Harbor Branch Oceanographic Institute at Florida Atlantic University.

For someone who often appeared light-hearted publicly, Seward Johnson had navigated life challenges, some even more complex and undoubtedly more painful, by being played out publicly. Despite his intelligence, he struggled as a student due to his dyslexia but later found his way by enlisting in the U.S. Navy. During his service, he fought in the Korean War for four years on the USS Gloucester, and at one point, he and his fellow servicemen nearly lost their lives when the battleship took a direct hit. A failed first marriage caused despair, and lengthy litigation over the family estate made headlines for years. Corporate life did not suit his talents, and he was let go from the family business at 38.

Cecelia Joyce and Seward from the exhibition

A joyful counterbalance was Seward Johnson’s second marriage with writer, poet, director, and producer Cecelia Joyce Horton, with whom he shared the ultimate “meet cute” story. Seward, Cecelia, and another passenger got bumped from a flight from New York City to Nantucket. Seward wisely suggested that the other man, a traveler from California, might enjoy a night seeing the city, which cleared the way for dinner with Cecelia. For an uplifting experience, enjoy the exhibition “That’s Worth Celebrating: The Life and Work of the Johnson Family” in the Cecelia Joyce and Seward Johnson Gallery, which shares Mr. Johnson’s happiness with his family life.

Noting Seward’s mechanical ability, Cecelia encouraged her husband to move from painting, which they did together, to sculpture. After being rejected by the Boston Museum of Fine Arts, Seward’s first sculpture, the steel “Stainless Girl,” won the U.S. Steel’s 1968 Design in Steel Award out of 7,000 entries, and, as he joked in interviews, he never won anything again.

Impressively, he carried on with his work despite the initial derision of some art critics who may have missed that he had a different aim. He would comment, “The art of my work is in the interaction, not the aesthetic.”

Seward’s determination, however, demonstrated that he was not a dilettante, and the increasing profits from the sale of his works went back into the Atelier. (In what must have felt like a rewarding, full-circle experience, Georgia O’Keefe later used the Atelier.) Notably, Mr. Johnson received the Lifetime Achievement in Contemporary Sculpture Award from the International Sculpture Center in 2019, which he had supported for years at the invitation of founder Elden Tefft, a sculptor and a professor at the University of Kansas, and membership in the New Jersey Hall of Fame.

“…not public art, but art for the public…” Seward Johnson

Seward Johnson’s most well-known series of sculptures may be “Celebrating the Familiar” as well as “Beyond the Frame,” which recreated the works of the Impressionists, and “Icons Revisited,” with the monumental sculptures like “Forever Marilyn” from a still photo from Billy Wilder’s “The Seven Year Itch” (the rights of which Mr. Johnson obtained from the photographer) and “Embracing Peace” from one of the better known Victory Over Japan or “V-J” Day photos of a sailor kissing a nurse in anticipation of the end of the war in Times Square. Seward Johnson created “Embracing Peace” from the photo by US Navy photojournalist Victor Jorgensen, which was in the public domain. Photographer Alfred Eisenstadt, who took the more well-known photo, had observed the tipsy sailor passing through Times Square, kissing women of all ages and appearances out of sheer joy that the war was ending. Current perspectives give the photo different meaning for some, but in the context of 1945 and Mr. Eisenstadt’s description, the jubilation at the end of World War II was felt throughout the country.

Life-size “Embracing Peace” in downtown Spring Lake, NJ (2022)

“If It Were Time” by Seward Johnson, an homage to “Terrace at Sainte-Adresse” by Monet (2021)

“Family Secret” by Seward Johnson, inspired by Renoir’s “Two Sisters in the Terrace” (2021)

Regardless of scale, the faces of his works are remarkably expressive. Though “Beyond the Frame” initially drew some criticism for borrowing from other artists, Mr. Johnson believed that if viewers could walk inside the paintings in 3-D, this would be an ultimate sharing of the artist’s vision and a way to engage people who might not otherwise be interested in art. Seward added his contributions beyond the artist’s original canvas. As he said in interviews, he wanted to create “not public art, but art for the public” and added, “Interaction is part of the art form. But the interaction also extends beyond what is simply there to what is created in the viewer’s imagination.” Over the years, his works gained acceptance and became popular. Perhaps by not only doing what he loved but creating it with love is what resonates with people today.

People have compared his works with those of Norman Rockwell, whom Mr. Johnson admired, but he noted that Mr. Rockwell presented a story while Seward wanted the viewer to imagine what his figure’s story might be. Influences that Seward Johnson pointed out in “The Sculpture of J. Seward Johnson, Jr. Celebrating the Familiar” (1987) were the French painter and sculptor artist Honore Daumier, who conveyed his critiques of society with humor and sociologist/journalist William H. Whyte. William Whyte’s book “The Social Life of Small Urban Spaces” (1980) contained observations underscored with photos of how people acted in urban environments. Seward Johnson, too, was a keen observer of human behavior and nature. In interviews, he shared that he liked to walk through Central Park for inspiration. His reassuring park figures offered an “enticement to socialize” and to enjoy nature. Similarly, Frederick Law Olmstead designed invitingly to bring people into parks for their benefit. The perspectives of both visionaries have become more invaluable post-pandemic.

Though intellectual, Mr. Johnson possessed an irrepressible sense of humor, which is evident throughout the Grounds for Sculpture. “I like to have discovery in my work, generally done with humor…I like people to smile at what I made them think…” Visitors will find themselves smiling and laughing out loud at some exhibits. When interviewed for the 2014 Grounds for Sculpture retrospective of his work, Mr. Johnson, who created art well into his 80s, divulged that he sometimes napped on the bed in the exhibit of Van Gogh’s bedroom in Arles and then went back to work with tap shoes tucked away in case some excess energy took hold. “I’m living in my dream, you see.”

Seward Johnson’s 3-D version of Van Gogh’s “Bedroom at Arles” that visitors can enter

The process

Imagination meets hard work in creating a bronze sculpture, which can take up to two years to complete. The trompe-l’oeil (“optical illusion”) or the realism of Seward Johnson’s work came with great effort. A novice’s summary of the process is that from initial clay models (maquettes), Mr. Johnson created facial expressions and gestures, then chose a live model to come to the studio for apprentices to make a life-size clay and plasticine figure. Seward finalized the face and pose and selected clothing for the sculpture’s story. Apprentices converted the figure to plaster and set the clothes in resin. Before the resin set, Mr. Johnson pumped air under the fabric and into the pockets to achieve the look of folds and motion in the clothes. The sculpture then dried for two days before being separated into sections.

“On Poppied Hill” by Seward Johnson, inspired by “Woman with Parasol in a Field of Poppies” by Monet

As described in “The J. Seward Johnson, Jr. Celebrating the Familiar,” the “true foundry process” then began. Apprentices converted the plaster pieces to wax by creating a rubber mold for each. They then perfected the details of the wax (“chasing”), which they dipped into a solution to create a protective ceramic shell. The next step was to “burn out” the wax to leave only the detailed ceramic shell with a “precise image of the original,” which is “the lost-wax method of casting”.

Highly skilled apprentices then poured molten bronze at 2,000 degrees F (1093.33 C) into the molds. The team then adjoined the pieces and added bronze details from the sculptor’s vision, like glasses, jewelry, and hand-held objects such as pens or gardening trowels. The last step, which involved reheating parts of the metal using acetylene torches, was the patination or the coloring of the figure with special colors unique to Mr. Johnson’s work thanks to his collaboration with his fellow artists at the Atelier. Computer technology later created the giant, iconic sculptures from the life-size bronze ones. Faces of Seward Johnson’s bronze works became more expressive over time with evolving techniques, which remains essentially the same today, though the Atelier offers more current information about their services.

The casting process of the Atelier also makes creating sculptures more cost-effective for artists, which is another draw in addition to the skilled artistry.

“Double Check”

A work of art can take on a life of its own, which Seward Johnson experienced with “Double Check,” another “double-taking” statue this one completed for Merrill Lynch and placed in Liberty Park (now Zuccotti Park) near the former Twin Towers. The Everyman sculpture depicts a man checking the contents of his briefcase before a meeting. After 9/11, the work, surrounded by debris, took on a different meaning, which Mr. Johnson speaks about in an exhibition video, a moving segment from “The Saturday Morning Show” with Russ Mitchell and produced by Nadine Witkin, daughter of sculptor Isaac Witkin. Some rescue workers initially mistook the lifelike sculpture for a survivor.

Firefighters, police officers, rescue workers, and mourners left notes, flowers, and other tributes around the memorial site. Respectfully, Mr. Johnson changed the time on Double Check’s watch to 8:46 a.m., the time the first tower was hit. Two tributes are at Grounds for Sculpture, one in the entryway (pictured above) and another in the Cecelia Joyce and Seward Johnson Gallery, a “shrine” in bronze.

A song in his heart

Sing-a-long host at Rat’s Restaurant accompanied by Phil Orr from the Seward Johnson Center for the Arts

A renowned raconteur, Seward Johnson also entertained people with his Sing-a-longs (with a bit of tap dancing) at Rat’s Restaurant. Accompanied by Adam Weitz and Phil Orr, he would sing Broadway tunes and American songbook favorites. Regrettably, I could not go to what I thought might be the last one, but his joy lives on in delightful YouTube and Atelier Facebook posts. After Seward Johnson’s unfortunate passing at nearly 90 years old in 2020, his friend Joyce Carol Oates compared him with Walt Whitman for his “populist yet strategically calculated art” with a “remarkable declaration of expansiveness….”. After an unveiling of an installation of his on Times Square, Seward serenaded his wife and in a mic drop moment quipped, “Now I can say that I’ve sung on Broadway.” Both he and his wife Cecelia’s generosity went beyond Grounds and the Atelier. Cecelia Joyce Johnson is now president of the Cecelia Joyce and Seward Johnson Foundation, which awards annual grants to educational and arts organizations. Among these is the Forman School in Connecticut, which supports students with learning differences, and where Mr. Johnson attended and Albert Einstein was an advisor.

(The grand sculptures are marvelous and awe-inspiring, but one of my favorites is the clay model of Albert Einstein, whom Mr. Johnson knew as a mentor from his high school days.)

Jazz greats by Seward Johnson at the Seward Johnson Center for the Arts

“God Bless America,” complete with corn, by Seward Johnson, inspired by “American Gothic” (earlier visit)

“A Turn of the Century” by Seward Johnson, an homage to “Dance at Bougival” by Renoir, with a partial view of “Los Mariachis” en route to Grounds for Sculpture, Hamilton Township

One figure from Seward Johnson’s “Los Mariachis”

The landscape

As Seward Johnson shared in a 2002 EBTV (East Brunswick TV) interview with Amy Fisher, “I want to have the land sculpted so that each piece is a separate experience as much as possible. I want it to be a sequential experience going through the park. I think that’s terribly important and then to add theater to the experience so that when you go around, it’s ‘Wow!’ All of a sudden it hits you….” His intent was “to enhance each piece”. Mr. Johnson, both Director of Design and Founder, planned much of the original grounds himself from the “rubble” of the former fairgrounds, which included planting trees while working alongside architect and sculptor Brian Carey. (In a Grounds for Sculpture 2015 video, Facilities Director W. Bruce Daniels notes that starting up required planting more than 2,000 trees, the remarkable variety of which visitors can appreciate on a tree tour, and tens of thousands of shrubs, roses, and ornamental grasses – including bamboo – to fill the grounds that had only a few maple trees remaining.) Mr. Johnson explained that sometimes pieces had to travel around the grounds before finding a home. Repeat visitors will enjoy a different experience on each visit with the circulation of works and new sculptures. Part of the fun is that visitors think that they have seen everything, but with a return visit, they realize that they have not.

A different view of the entrance with Seward Johnson’s “A Turn of the Century” and Wayne Trapp’s “Geometry of the Cosmos” (June 2022)

As Seward Johnson remarked, he did not often create portraits, but in his EBTV interview with Ms. Fisher, he shared that when legendary screen star Audrey Hepburn asked, he could not refuse. Ms. Hepburn generously sponsored the Audrey Hepburn Children’s House, which offers services for maltreated children and is part of the Pediatrics Department at Hackensack Meridian Hackensack University Medical Center.

Across the street from the house is a rose garden with the sculpture “It’s Going to Be a Beautiful Building,” with Ms. Hepburn and an architect who are discussing the plans for the center across the street. Ms. Hepburn gives a sweet wave with her pointer finger to a shy little girl, which Seward observed when meeting with the benevolent actress.

On a June visit to Grounds for Sculpture last year, I went for the roses but fell for the water lilies with a tip of the sunhat to the dedicated horticulturalists and volunteers. (The flowers, the art! The art, the flowers! The floral beauty later transitions into art with autumn leaves and then with snowy vistas.) The sculptures are beautifully incorporated into the landscape, emphasizing how nature and imagination complement each other, an interplay that Mr. Johnson appreciated on a boyhood trip to Canada and later on a wilderness trek there with friends from the U.S. Navy, both thoughtfully shared in an excellent biographical video from the Johnson Atelier and another from Lynn DeClemente Losavio, the Collection Manager of The Seward Johnson Atelier via the Pennington Library.

Water lilies with “Sailing the Seine II” by Seward Johnson in the background

From Renoir’s “Luncheon at the Boating Party,” a partial view of Seward Johnson’s “Were You Invited?” (The answer at GFS is, “Yes!”)

Partial view of sculpture by Andrzej Pitynski (2021)

Works of other sculptors

Grounds for Sculpture has featured the works of numerous sculptors: New Jersey’s George Segal, Magdalena Abakanowicz, Dana Stewart, Clifford Ward, Gloria Vanderbilt, and Red Grooms. The collection is comprehensive, and these are only a few names.

“The Bathers” by Isaac Witkin (June 2023)

Exhibitions

This exhibition, “Likeness” by the artists of The Arc Mercer in the Education Center next to “Double Check,” closes Sunday, April 28^th.

On May 5^th, “Slow Motion” opens with the work of Ana Teresa Fernández, Colette Fu, Billy Dufala, Omar Tate, and Sandy Williams IV.

Previously, “Local Voices,” hosted with an almost familial dedication, was on view to convey an idea of the breadth of the exhibitions.

On the note of local, Seward Johnson’s sculptures are throughout Hamilton Township, which also features Veterans Park, Sayen Park Botanical Garden, and Mercer County Park. Nearby in Trenton is the Frederick Law Olmsted-designed Cadwalader Park.

Seward Johnson work near Hamilton Township Town Hall (2020)

Photos from the annual Azalea Festival at Sayen Gardens with the wonderful Denny Paul Quartet (added May 2024):

For more “local” viewing of Seward Johnson’s work, also enjoy an exhibition at Ocean County College through June.

Visiting

Friendly staff members welcome visitors to the Grounds for Sculpture which is open daily from 10-5 (closed Tuesdays), though kindly check the Visitor Information as these change with the seasons. Reserve tickets online and allow several hours to explore. A museum shop with lovely selections is open Wednesday-Sunday.

A sculpted welcome along the way (June 2023)

Informal dining is available in the Van Gogh Café, which also offers pre-ordered take-out totes for Picnics in the Park in season to enjoy on the grounds, and another café in the Domestic Arts Building, when available, as is fine dining at the well-reviewed Rat’s Restaurant. Rat’s, named after Ratty from “The Wind in the Willows,” Mr. Johnson’s favorite character from a favorite book by Kenneth Grahame, recalls Monet’s Garden at Giverny. The restaurant has a separate entrance, and its hours are Wednesday through Sunday. Rat’s and the beautiful sculpture park grounds are available for meetings and events.

Grounds for Sculpture offers accessible tours of all kinds, as well as wheelchair and electronic convenience vehicle rentals. Tours for schools, colleges, adults, and corporations are available, though the popular school tours are sold out through June 17^th. Reserving well in advance is best. There are concerts and other events throughout the year. The Atelier is available for tours, private events, and team building. Additionally, Grounds for Sculpture became LEED Gold Certified in 2019, and it has two electric car charging stations. Memberships and volunteering (and gardening) that support Grounds for Sculpture and the Atelier are welcome. The Arc Mercer and Audrey Hepburn Children’s House via Executive Director Amy Glazer (amy.glazer@hmhn.org) also welcomes support.

The invitation

In this travel post, the GPS turned toward Seward Johnson’s life as he and the Grounds for Sculpture connect intrinsically. A true philanthropist, Seward Johnson has made his own “Everyman” good-hearted impulses larger than life with the realization of an incredible vision. Still present in the delight of visitors, Seward Johnson invites us all to his ongoing celebration.

Seward Johnson sculpture in homage to Monet’s “Women in the Garden” (partial view)

A “road trip” postscript

Seward Johnson’s sculptures at Old Westbury Gardens, Old Westbury, NY, which were selfie sensations (2022)

Seward Johnson’s Sculptures in Spring Lake, NJ (2022)

(Sources: groundsforsculpture.org and exhibitions, sewardjohnsonatelier.org, The Sculpture of J. Seward Johnson, Jr. Celebrating the Familiar by J. Seward Johnson, Jr. with Paula Stoeke, americanprofile.com, johnsonatelier.com, sculpturemagazine.com, youtube.com (Atelier, Pennington Public Library, EBTV, Nantucket History, Coppervideo), courierpostonline.com, communitynews.org, groundsforsculpturewordpress.com, mycentraljersey.com, washingtonpost.com, causeiq.com, ibdb.com, stateoftheartsnj.com, willowwoodarboretum.org, sculpturemagazine.art, artmuseum.princeton.edu, mainstreetmurfreesboro.org, walkaboutnewyork.com, observer.com, atlasobscura.com, downtownny.com, artcitybronze.com, uvalaw, hmdg.org, britannica.com, Wiki)

A Cherry Blossom Spring: Branch Brook Park

By Kathleen Helen Levey

On June 21, 2023

In Arts, Cherry Blossoms, Culture, Culture, Nature, Park, Travel

“Deep in their roots, all flowers keep the light.” Theodore Roethke

Wandering under sunlit cherry blossoms is the hallmark of spring’s “Cherry Blossomland” in Branch Brook Park and one of life’s great pleasures. The dance of spring in the blossoms, tremulous and dainty in the breeze, signals the end of winter as much as the arrival of the blooms. So delicate, the white blossoms look like snowflakes on branches, spring having pranked winter with miraculous perseverance. On Easter Sunday, in a harmonious convergence with Purim and Ramadan, and the festive afterglow of Holi, families, couples, photographers, and worldwide visitors strolled throughout the nearly four-mile park. All were smiling, most grinning, blissed out by the breathtaking beauty and the great gift of enjoying life fully again.

Wonderful year-round, the park’s atmosphere is especially so in the spring. The park is a blossom-lover’s dream with all types of cherry trees: single blossom, double blossom, and weeping. Though selfies are the fashion, part of the fun in cherry blossom season is trading iPhones and cameras to capture happy moments. Young auteurs giving directions while photographing their parents were charming, even holding up hands for “framing” on this and an earlier visit. One, about 5 or 6, was reluctant to return the phone to parental amateurs in a hilarious and affectionate back and forth. Stay long enough, or better yet, visit often, and experience the second flowering of Branch Brook Park: blushing brides before blooms, proud young adults in caps and gowns, adorable children dressed for First Communion, lovely girls in Quince dresses, graceful women in saris and salwar kameez, and smartly dressed families in their holiday best, all posing in blossom-laden photos as everyone passes through the park with a rhythm that mirrors the flow of the Branch Brook after which it takes its name. Those dedicated to the park like the Branch Brook Park Alliance know how a shared love of beauty can bring people together.

Branch Brook Park in spring reflects the worldwide celebration of the blooms. Japanese cherry blossom festivals honor each stage of the blossom, which is reflective of life’s rites of passage with a reverence for nature that is intertwined with both Shintoism and Bhuddism. “Sakura” means not only “cherry blossom,” but symbolizes renewal. The blossoms’ brief bloom is bittersweet, reminding admirers to appreciate the fleeting flowering beauty and nature’s imperfection. How this philosophy of “wabi-sabi” (greatly condensed), which is from Zen Buddhism, manifests itself in everyday life in Japan is that family, friends, students, and co-workers gather in the tradition of “hanami,” which means flower-viewing, or what Americans might call picnicking, to appreciate the blossoms. In Japan, school begins in April and collective childhood back-to-school memories are replete with falling petals much like many Americans associate crunching leaves with the start of school. Hanami in Branch Brook Park translates into the annual “Bloomfest” and a new Cherry Blossom Welcome Center that is scheduled to open this fall.

Olmsted and Branch Brook Park history

A map of the L-shaped park of 360 acres shows its three main sections, the North, Middle, and the South with a picturesque extension in Belleville, which makes the park nearly four miles long. Branch Brook is a tributary of the Passaic River and the park includes a reservoir, a lake, ponds, streams, and the Second River in the Belleville extension. With the liveliness of the present-day park, it seems hard to believe that it is the oldest county park in the country.

Branch Brook Park reflects a history of generosity. Civil War volunteers trained in what was Camp Frelinghuysen on the former land of the Newark Aqueduct Board. The Ballantine Family gifted 32 acres, Z.M. Keene, William A. Righter, and Messrs. Heller, collectively, 50 acres, and the Newark Common Council, 60 acres. In 1924, Harmon Washington Hendricks, an industrialist from a prominent philanthropic Jewish family which dates back to the late 1700’s, bequeathed his family home and the 23 acres along the Second River, the former site of the Hendricks Copper Mill. The adjacent Hendricks Field Golf Course, upgraded in 2018, also has cherry trees.

Regarding the park design, requested by the Newark Park Commission, Frederick Law Olmsted, Sr. and Calvert Vaux, well-known for Central Park (1858), envisioned a bucolic Branch Brook Park (1867) with their trademark naturalism that includes extensive rolling hills, stately tree clusters, waterways, and inviting paths. Landscape architects John Bogart and Nathan F. Barrett designed a plan with an ornamental or “romantic” style (1895), but it was the Olmsted Brothers, Frederick Law Olmsted, Jr., and his half-brother, John Charles Olmsted, who created the park keeping the garden-like style of Bogart and Barrett around the reservoir.

The cherry blossoms adorn the design. Branch Brook Park boasts the largest collection of cherry blossoms in the country, though the picturesque spring wonder of Washington, DC’s Tidal Basin, a gift of cherry trees from Japan in 1912, receives an applause-worthy note as do the cherry blossoms at the Brooklyn Botanic Garden. In 1927, Caroline Bamberger Fuld, who was the daughter of Jewish immigrants from Germany, brought 2,000-2,050 cherry trees of many varieties from Japan. A lovely detail of this story is that she nurtured the cherry blossom trees on her own nearby Orange, New Jersey estate to ensure their survival before having them planted in the park.

Caroline Bamberger Fuld
(Photo: Jewish Women’s Archive)

Caroline was the sister of Bamberger and Co. department store founder Louis Bamberger and the wife of Felix Fuld, another founder. After Felix passed away in January 1929, Louis sold the business to R.H. Macy & Co. a few months before the stock market crash. (Louis Bamberger gave the company’s 236 long-term employees, or “co-workers” as he called them, $1 million after the sale. Ideal bosses, he and Felix Fuld provided on-site health care, a cafeteria, a music club, a library, and classes offered through Rutgers University.) After her husband’s death, Ms. Fuld, along with Louis, carried on her husband’s generosity. Both Caroline and Louis are known today for co-founding the Institute for Advanced Study in Princeton, which created a place for independent thought and research and gave new lives to many Jewish mathematicians in the 1930’s who needed to leave Europe.

The original 2,000+ gift of Ms. Fuld has increased to approximately 5,200 (some sources note more) with 18 varieties with the help of the Alliance and Essex County Parks and Recreation, both of which have added more trees, preserved trees, and restored historical and architectural treasures. Various sources note that not only does the park have the most blossoming cherry trees in the country, but the greatest variety. Regarding the undertaking of planting the initial trees from Ms. Fuld, the National Park Service credits the Olmsted Brothers with returning and giving the trees a tiered-slope placement so park-goers could appreciate the blooms more completely. For those who prefer an immersive cherry blossom experience, the Belleville extension has the most densely planted blooms, which is also a wondrous experience for enjoying the light fragrance. A note here to underscore the park signs which have increasingly larger letters each year; please do not touch the trees so others may enjoy their beauty.

Architectural details

As Branch Brook Park Alliance notes, most of the “centennial” structures, those over 100 years old, are the work of the distinguished Carrere and Hastings, the most notable being the Beaux-arts Ballantine Gate, 1898. (The gates lead to the also noteworthy architecture of the Forest Hills section of Newark, where Newark Porchfest brings fun and music each fall.) There are also some Art Deco gems and the distinctive lion sculptures by Karl Bitter at the reservoir. The lions, donated by the Prudential Insurance Company from their former office building, are nicknamed “Art” and “Pat” after former Prudential CEO Art Ryan and his wife Pat, also park supporters. Prudential arranged for the planting of twenty-four cherry trees as a memorial to Kiyofumi Sakaguchi. Other elegant tributes include the Patricia A. Chambers Cherry Grove, the Althea Gibson Tennis Center and statue by Thomas Jay Warren, the Roberto Clemente Fields and statue, a Felix Mendelssohn bust, a prize won by the United Singers of Newark in 1903, and a bust of Frederick Law Olmsted, also by Thomas Jay Warren, to note a few. While setting out to write about cherry blossoms, this has turned to a reflection on generosity, which are essentially one and the same in Branch Brook Park.

Beaux-arts Ballantine Gates by Carrere, 1898, and Hastings, restored by Essex County Restoration and Open Space Fund (2020)

Art Deco Bridge, Belleville extension (2016)

One of the two 7-foot-tall limestone Prudential lions, 1901, by sculptor Karl Bitter at the reservoir with the Cathedral Basilica of the Sacred Heart in the background (2018)

Althea Gibson by Thomas Jay Warren (2018)

Althea Gibson Tennis Center, which looks like a Tiffany window (2016). Louis Comfort Tiffany, a name appearing at the Newark Museum of Art, went to school and trained early on as a painter in NJ, another case for the maxim “all roads lead to New Jersey”.

Roberto Clemente statue by Roberto Clemente Field, Lake Street and Bloomfield Avenue, 2012, by Susan Wagner, a slightly smaller scale version (8 feet) of her Clemente statue at PNC Park in Pittsburgh. Made possible through private donors, Verizon, and PSE&G.

Frederick Law Olmsted bust at the reservoir (2022)

Peak blooms are usually between the second and third weeks of April which means a welcome return trip for fans of the wonderful Newark St. Patrick’s Day Parade. For blossom viewing, driving is an option to see these sights and the blossoms, though there are wheelchair-friendly trails. Light rail lines and buses also travel to the park. For the definitive history of Branch Brook Park, please visit the Alliance. Other park features include the Prudential Concert Grove near the lions and reservoir, a roller skating rink and basketball courts near the cathedral basilica, baseball fields, bocce courts, which will return when the new center opens, a playground in the Belleville extension (“excellent” as rated by peals of laughter) and the Alliance’s cherry blossom live cam for anyone who cannot make the trip (yet) along with their Bloomwatch, which is also informative about the variety of cherry blossom blooms, on social media. Though the Rutgers Master Gardeners and many other organizations volunteer to help keep the park beautiful, the Alliance always welcomes more volunteers.

Pathway in Southern Division by the cathedral (2022 in this section)

Lake in Southern Division by Roller Rink

Cathedral Basilica of the Sacred Heart

Standing majestically on the park’s horizon is the Cathedral Basilica of the Sacred Heart, graceful with its French Gothic Revival style (1898-1954). Both a National and a New Jersey Historic Site, the fifth largest cathedral in the nation is approximately 45,000 square feet, about the size of Westminster Abbey in London, and draws tourists as well as parishioners for its beautiful architecture. In 1995, Pope John Paul II conferred the title of “minor basilica” upon the cathedral, the highest recognition given to a cathedral with special significance.

Viewing the cathedral and the cherry blossoms was one of our early family traditions as Vailsburg, Newark residents, which brings to mind one special person among many, our grandmother, remembered in “Arriving Home to Sweetness”. Another early memory was seeing the first spring light shining through a window while hearing the voice of Newark’s Sarah Vaughan* from the records of “The Divine One” played often by our father fan. Newarker Whitney Houston was the great vocal artist of my generation, recalled in a visit to the former Grammy Museum at the Prudential Center, which is still home to the New Jersey Devils and the Seton Hall Pirates. The Newark Museum of Art, with its incredible collection, the New Jersey Performing Arts Center (NJPAC), which now hosts the annual Sarah Vaughan Vocal Competition, and the Newark Library, which is a beautiful building and an excellent research resource, are also nearby.

New Jersey Center for the Performing Arts

“The Cuppah” by Gianni Toso, Newark Museum of Art

Beaux-art, Tiffany & Co. , 1900, Newark. Belonged to the [Thomas and Mina] Edison, West Orange.

An appreciative Martin Brodeur in “The Salute” to fans, 2015, by Jon Krawczyk outside Prudential Center (2019). The statue’s stand contains a fans’ time capsule of Brodeur memorabilia.

Partial view of the magnificent “The Mural,” 2007, by ambidextrous sports artist Tom Mosser. Commissioned by the NJ Devils, at 200’ x 30′ it is one of the largest indoor sports mural in the country. Pictured here are Martin Brodeur, Ritchie Regan, and boxers among many celebrated state athletes and icons.

Left to right: Ken Daneyko, Tony Meola, Terry Dehere, Althea Gibson

Note: News 12 New Jersey recently reported that Newark artists Rorshachbrand, Robert Ramone and Andre Leon, have created a new, beautiful mural honoring Newark and New Jersey musical artists that will inspire performers as they take the stage at the Prudential Center.

The 22-foot stainless steel “Stanley” aka “The Iron Man” by NJ Devils fan Jon Krawczyk stands in Championship Plaza behind the Pru Center. Children enjoy sitting and playing on his foot and hockey stick in what has become a popular selfie station/photo stop. The artist drove this and “The Salute” across the country from his California studio.

Newark Library (2015) which has beautiful murals

Nature’s poetry

Central Park has a plaque with the Theodore Roethke quote note above, “Deep within their roots, all flowers keep the light,” which came up when researching it. (This calls for a visit to another Olmsted gem: “Central Park: A Template of Beauty”.) The renowned poet, who inspired generations of poets, felt a deep connection with nature from the time spent with his father in the elder’s greenhouse workplace where young Theodore observed the nurturing of beauty. After experiencing family tragedies at 14, Theodore struggled, as many young people have following the pandemic, but later found his way by writing poetry. Thematic in his work is the belief that nature has a soul, perhaps being interconnected with his own. Poet Roethke’s view of nature as holding spiritual truth complements the essence of a traditional blossom festival.

A walk in the park with nature’s beauty, fresh air, and a stretch can often make cares drift away like petals on the stream. Nature is a gift, no more so than in spring, when flowers bring joy. In the absence of the poet, deferring here to blossom eloquence.

* (No YouTube ad, hopefully; if so, worth the wait for “I’ve Got the World on a String”.)

(Sources: branchbrook.org, essexcountyparks.org, rhiplaces.com,
newarkbasilica.org/history, newarkhistory.com, newarkmemories.com, smithsonian.org, planning.org, jwa.org, loebjewishportraints.com, ias.edu, my modermet.com, loc.gov, asiasocity.org, portal.cca.edu, bbg.org, gotokyo.org, japaneseobjects.com, kenyonreview.org, poetryfoundation.org, knowingnewark.npl.org, acchamber.org, acfpl.org, tapinto.net, patch.com, jerseycares.org, tclf.org, krelickconservation.com, whom.com, bridgesnyc.com, splurgefrugal.com, emaculent.wordpress.com, dana.njit.edu, margatemasmore.com, wobm.com, cherryhill.yolasite.com, wally gobetz flickr.com, nhl.com, alltrails.com, lastleafgardener.com, nps.gov, Wiki)

“The National Arts Club: In Love with the Arts”

By Kathleen Helen Levey

On February 15, 2021

In Architecture, Art, Arts, Culture, Fashion, Travel

“There is nothing more truly artistic than to love people.” Vincent Van Gogh

The National Arts Club earns a renown for its impressive art, engaging events, and a National Historic Landmark home in Gramercy Park, but its true vibrancy comes from its members. The Club members celebrate, promote, and educate others about the “visual arts, literature, film, architecture, fashion, photography and music” in the warm way of passing along a book that is too good not to share.

The Club that helps keep the arts alive in the city began in 1898 with Charles Augustus de Kay, the art and literary critic for The New York Times. Mr. de Kay’s goal was to look to American artists for inspiration rather than European, which was traditional at the time, and to encourage public interest in the arts and education in fine arts. With the help of philanthropist Spencer Trask, Mr. de Kay and fellow founding members like Henry Frick purchased the Victorian Gothic Revival mansion of Samuel J. Tilden, 25^th governor of New York, for the Club. Governor Tilden, who ended New York City corruption, most notably that of Tammany Hall, had bequeathed his fortune for a citywide New York Public Library. His stately home at 15 Gramercy Park South in the Gramercy Park Historic District was formerly two brownstones joined by a sandstone façade designed by Calvert Vaux, co-creator of Central Park. For the mansion’s exterior, Mr. Vaux used the Aesthetic Movement style that emphasized bringing beauty into all aspects of life, making it the ideal home for the Club. In a 2008 restoration, New York City-Brazilian artist Sergio Rosetti Morosini, active in the conservation of the city’s landmarks, added a bust of Michelangelo above the Club’s entrance. The interior includes magnificent stained-glass panels by artist John LaFarge, who had a studio in Greenwich Village, and a stained-glass dome by Scottish-born artisan Donald McDonald.

“Joyce Carol Oates,” NAC Medal recipient

The building is so elegant and distinctive that filmmakers and television producers have requested it for works like “The Age of Innocence,” “The Manhattan Murder Mystery,” “The Thomas Crown Affair” (1999), “The Marvelous Mrs. Maisel,” “Billions,” “Gotham,” “Jimmy Choo,” and “Boardwalk Empire”. Even more distinctive is the welcoming of women as members since the Club’s 1898 founding. Historical name dropping of former members includes artistic greats like painters Cecilia Beaux, Frederic Remington, William Merritt Chase, George Bellows, Chen Chi and sculptors Anna Hyatt Huntington, Robert Henri, Daniel Chester French, and Augustus Saint-Gaudens.

With such names, one might mistake the Club as being pretentious, but members are there to share a genuine love of the arts. Crossing the threshold means receiving a friendly greeting not only from other members but long-time staff. The atmosphere is lively for the sociable and serene for artists at work. Dining amidst beautiful artworks, resuming again Tuesday with safety protocols, is another opportunity to connect. Lectures and events cover topics including art, fashion, fragrances, cuisine, dance and movement, film screenings, and concerts featuring jazz, classical, and contemporary music. In the past year, the Club has celebrated its fun traditions virtually with events like this month’s Bonnet Bash hat contest, the holiday concert with the Gramercy Brass Orchestra, the Halloween Gala, and Open House New York.

Membership includes worldwide access to other clubs. Additional membership perks allow access to meeting and event rooms, overnight accommodation, and Gramercy Park, the last private park in Manhattan, all the more relaxing for restricting photography.

Important traditions recognize lifelong contributors to the arts with the National Arts Club Medal and encourage new playwrights with the Kesselring Prize for Playwrighting. Medal recipients, whose portraits adorn the walls, include Anna Sui, Joyce Carol Oates, Frederica von Stade, Patricia Field, Claire Bloom, Ellen Burstyn, Toni Morrison, Nadine Gordimer, Lin Manuel-Miranda, John Turturro, Itzhak Perlman, Ang Lee, Salman Rushdie, Spike Lee, I.M. Pei, Tom Wolfe, Frank McCourt, W.H. Auden, Saul Bellow, Tennessee Williams, Roy Lichtenstein, Philip Roth, Mark Twain, Downing Vaux, Calvert’s son, and more. The Kesselring Prize awarded in honor of Joseph Kesselring, best known for writing “Arsenic and Old Lace,” presently honors playwright Mona Mansour. Selected new artists receive support as Artist Fellows which gives them a membership for one year to enhance their careers.

The National Arts Club has carried on gracefully during this past year underscoring the importance of the uplifting to inspire and connect us. Artists, too, are visionaries, who give us pause to reflect. In a place where a love of art, life, people, and the city all flow together, this nonprofit’s extraordinary and newly renovated galleries are free and open to the public daily, 10 a.m. to 5:00 p.m. with reservations presently for safety. Additionally, gallery spaces are available for non-members. (Note: On view as of early 2022: “Art of the Abstract Mark,” Libbie Marks’ collage paintings, the “Will Barnet Student Show,” which welcomes new young artists, “Consequences: A Parlor Game,” which showcases the work of the National Academicians of 2021, and “A Century of American Landscape Art,” some landscape “treasures” from the Club’s permanent collection of more than 600 works of art.) Enjoy exhibition updates and Club news on Instagram, Twitter, and Facebook, which offers a virtual tour, also available on the NAC website.

“Benny Goodman,” NAC Medal recipient, by fellow medalist and Club member Everett Raymond Kinstler

While living in the city, I had the pleasure of being an affiliate member for a time through an alumnae group, which was an incredible experience. Later, I attended the most welcoming and cordial reception and tour, which included a view of The Players club for the performing arts next door, through another alumni association. A delightful lecture from curators from The Clark Art Institute and French National Heritage for the exhibition “Women in Paris, 1850-1900” marked the occasion of another memorable stop.

“Some Little Talk of Me and Thee There Was,” 1905-1909, by Harry Willson Watrous

On my most recent visit, which fell on Valentine’s Day of last year right before the pandemic began, the Media/Marketing Communications director kindly gave two talented British travel and cuisine writers and myself a morning tour. Such fans of New York City, the couple was here to celebrate his birthday. Having seen a number of the inspirational city sights on other trips, they asked me about a unique and wonderful New York City experience for which the only answer was, “The National Arts Club.” On every visit, I am thrilled by being in the company of people who also value what I love.

Valentine’s Day 2020 was a day of kindnesses, so in keeping with the true nature of the city. Though this valentine meandered en route for a while, it still arrives heartfelt.

(Sources: NAC website and social media, onthesetofnewyork,com, saxonhenry.com (member), the artstory.org, ny.curbed.com, tripadvisor.com, goodreads.com, Wiki)

Partial view of the Club’s historic brownstone home (2017)

“Christmas in Stockbridge”

By Kathleen Helen Levey

On December 7, 2020

In Art, Arts, Culture, Family, Museum, Travel

“I don’t think Christmas is necessarily about things. It’s about being good to one another.” Carrie Fisher

A slightly curving panoramic shot to capture this 8 foot long painting at the Norman Rockwell Museum

At Christmastime, Norman Rockwell’s “Home for Christmas (Stockbridge Main Street Christmas),” which perfectly captures Christmas joy, comes to life the first Sunday of December with a living recreation of the painting which is now on view locally at the Norman Rockwell Museum – Home of American Illustration Art. “Gilmore Girl” fans will recognize the tradition of tableau vivant from “The Festival of Living Art” with Stockbridge’s delightful, real-life atmosphere outdoing even the charm of Stars Hollow. In a festive tweaking, the historic Red Lion Inn from the painting, now open in winter, twinkles with lights and features harmonizing carolers on the porch. Passers-by join in song with the same delight of the Berkshires proud who cheer at the words “from Stockbridge to Boston” from “Sweet Baby James” performed by their neighbor James Taylor in his summer visits to Tanglewood. Holiday concerts fill the churches and halls while both residents and visitors stroll along Main Street, closed to traffic for a few hours, each person truly part of the holiday canvas in this highlight among a weekend of events.

“Home for Christmas” and The Red Lion Inn

A real-life detail from “Home for Christmas”

Everyone from our proud veteran bus driver to the carriage drivers who smiled for the camera three times while visitors like us got photos in motion right was wonderful. The vintage car owners meet up year after year, welcoming honored new ones into the fold with a neighborly rapport. Filled with goodwill, part Stockbridge, part Rockwell, strangers offer to take photos for each other and talk about their affection for the town and their favorite Rockwell paintings as if they, too, were coming home. So warm and wonderful is the atmosphere that when looking up the photos, I had forgotten that it had rained that day just two years ago.

Though the live event did not take place this year, the good news is that a virtual version and seasonal events are online through December 31^st to plan ahead for next year. Even better news, Stockbridge is open and welcoming friends in a safe way via the Stockbridge Chamber of Commerce. The Norman Rockwell museum offers a train set replica of the painting along with the incredible art collection, both viewed on a timed schedule. Enjoy reading about one summer visit and the profile of the self-defined “illustrator” via “Frankly Norman: A Sketch” with a surprise guest. (Hint: The Hoboken, New Jersey guest’s “Christmas with the Rat Pack” had a unique holiday spin.) Fun tidbits are that Mr. Rockwell’s first Stockbridge studio was above the supermarket in “Home for Christmas” and his models, like Pop Fredericks who portrayed Santa in the artist’s “storytelling” and at events, were often his neighbors

“Couple Dancing Under Mistletoe,” 1928, from Norman Rockwell’s Charles Dickens series for “The Saturday Evening Post”

The Norman Rockwell Museum – Home of American Illustration Art

“Golden Rule,” 1961, at the Norman Rockwell Museum

Enjoy, too, the otherworldly beauty of “Winterlights” and Christmas trees at the McKim, Mead & White architectural gem Naumkeag, nearby Lenox’s virtual “A Christmas Carol” at the Gilded Age Ventfort Hall, and “NightWood” the outdoor “sound, light, and color” show at Edith Wharton’s home, all through late December – early January. With our renewed appreciation of nature, the Berkshire Landkeepers have ideas for taking in the woodland beauty. A Stockbridge Virtual Arts & Crafts Show, Gingerbread House Contest, and Hometown Christmas Light-Up Contest keep the season festive. Though the shops along Main Street offer everything from tech to nostalgia, the bow on top is the Stockbridge holiday spirit.

Sweet tree at Cramwell, a former resort, now a spa

A view to spring with Norman Rockwell’s “Spring Flowers,” 1969 (WikiArt)

(Sources: normanrockwellmuseum, newenglandhistoricalsociety.org, stockbridgeareachamber.org, saturdayeveningpost.com, thetrustees.org/place/naumkeag/, stockbridgeinn.com, antiqueshomemagazine.com, Wiki)

“Christmas at Heart: Mary Mapes Dodge”

By Kathleen Helen Levey

On December 25, 2019

In Arts, Culture, Travel

“…Should it cause even one heart to feel a deeper trust in God’s goodness and love, or aid any in weaving a life, wherein, through knots and entanglements, the golden thread shall never be tarnished or broken, the prayer with which it was begun and ended will have been answered.”

Mary Mapes Dodge, Preface to “Hans Brinker, or The Silver Skates””

Floral Christmas tree at Longwood Gardens

Widowed and impoverished with two small children to support, Mary Mapes Dodge, 1831-1905, wrote the beloved story “Hans Brinker, or The Silver Skates” at her father’s Newark farm, Mapleridge. Using her imagination and research, she unearthed such Netherlands tales as “The Little Dutch Boy,” popularizing them in the United States. The 1865 immediate best seller saved her struggling family, and she became the most popular children’s author of her day.

The Ballantine House, 1885, Newark Museum

“The Chuppah,” Gianni Toso, Newark Museum

Married at 20 to lawyer William Dodge, Mary had a few short years of domestic happiness in New York City where she grew up. After experiencing a financial reversal, William left and then drowned. Mary was a widow at 28 when she began to support her boys, neither yet school age, with her writing. Ms. Dodge first achieved notoriety with “Irvington Stories” in 1864. Following this success, her sons Harry and James urged her to write down the skating bedtime stories that she made up for them. When published in 1865, the serialized story “Hans Brinker, or The Silver Skates” was so popular that worldwide sales brought it an award from the French Academy with a monetary prize that helped Mary’s family.

Ms. Dodge dedicated Hans Brinker to her father, a renowned chemist who developed modern agriculture, Professor James Jay Mapes, remembered today with Mapes Avenue in Newark. Mary initially assisted him with editing agricultural journals. It was the warm-hearted James who “believed children could appreciate good literature” in the age of children’s primers. Mary’s mother, Sophia, was an accomplished artist. The future writer and her siblings had had the foundation of a happy childhood and an excellent education filled with art, music, and creativity.

Historic Summit Opera House, 1894, Summit, NJ

“The Triumph of Music,” Marc Chagall, Metropolitan Opera House, Lincoln Center

The story of Hans not only moved readers but thrilled them with their introduction to Dutch speed skating, even more intriguing with its setting on picturesque frozen canals. Ms. Dodge shares travel and customs in Holland with readers. St. Nicholas is a patron saint and protector of children who arrives in grand style on December 5th, welcomed with songs, poems, and traditional dishes, and exits “with a shower of sugarplums”. On December 6th, St. Nicholas Day, children awake to find their wooden shoes overflowing with presents save for the Brinkers, who find their joy in each other’s company.

“Merry Old Santa Claus,” Thomas Nast, 1881
Macculloch Hall Historical Museum, Morristown, New Jersey

Holiday cheer at Wilderstein whose Rhinebeck town welcomes Sinterklaas, Santa Claus, with festivities each year following his nearby Kingston send-off

Having a Dutch-American grandmother, and later, friends who helped as resources for the book, Ms. Dodge aimed to familiarize Americans with Dutch culture in a positive way as it was sometimes misunderstood. What appealed immensely to Mary was Dutch ability and the miracle of Holland itself, the “marvel of its not being washed away by the sea”. Not surprisingly, engineers are heroes in Dutch history.

Two of Ms. Dodge’s resources were the well-known “The Rise of the Dutch Republic” and “The History of the United Netherlands” by historian John Lothrop Motley, whom she heralds in the story. Though Mary had not traveled to the Netherlands when she wrote “The Silver Skates,” her work was so imaginative that the book was, and is, popular in Holland.

A bestselling first edition of Hans Brinker, illustrated by Thomas Nast, Macculloch Hall

Images of beloved St. Nicholas at Winterthur

Holland American Bakery, Sussex, New Jersey

In Hans Brinker, readers meet siblings Hans and Gretel, 15 and 12, with names alluding to the fairy tale, who have lived in poverty for most of their childhood. Their father Raff’s illness after an accident and the mysterious loss of the family funds leave them not only destitute children but his caretakers, a duty they assume along with their mother with a persevering love. This is the Holland of windmills and charm, but also a reflection of a real-life world where other children mock the brother and sister for their ragged clothing. Talented skaters, the siblings have only wooden ones, not iron, and cannot compete in the grand December race for the prized silver skates. When Hans earns some money through his wood-carving skill, he puts aside his hopes and buys his sister skates so she may compete. Eventually acquiring proper skates of his own and entering the race, Hans leads. When the skate strap of his loyal friend Peter breaks, Hans gives his to someone who wishes for the silver skates even more than he. Peter goes on to win the boys’ race.

Mary Mapes Dodge brings life to goodness, a character depiction sometimes dismissed as being one-dimensional. She touches readers with Hans’ decision to help his sister: “Hans turned the money thoughtfully in his palm. Never in all his life had he longed so intensely for a pair of skates for he had known of the race and had fairly ached for a chance to test his powers with the other children. He felt confident that with a good pair of steel runners he could readily outdistance most of the boys on the canal… On the other hand, he knew that she [Gretel], with her strong but lithe little frame, needed but a week’s practice on good runners to make her a better skater…. As soon as this last thought flashed upon him, his resolve was made…she should have the skates.” Gretel would win the girls’ race.

The happy ending brings the recovery of Raff Brinker, after a risky surgery, who restores the family finances, allowing the children to return to school full-time. He and his wife see Gretel win. The selflessness of Hans, who at another turn offered to give his skate money to pay for his father’s surgery, melts away the cynicism of the family physician, Dr. Boekman. Through him, Hans grows up to become a surgeon “in a reverence for God’s work” and marry his childhood sweetheart Annie. The miracle of Hans is that he experiences hardships without becoming hard-hearted.

Christmas cheer at Cranberry’s Cafe, Hyde Park

Seasons Greetings in Irvington, New Jersey

Hans makes decisions from a generosity of spirit that shows us one touched by God’s grace. He inspires, which is undoubtedly why the book is still read today, passed down through generations.

Crèche, Vocationist Fathers, Florham Park, NJ

Mary Mapes Dodge went on to become an associate editor for Home and Hearth magazine under Harriet Beacher Stowe in 1868. In 1873, Ms. Dodge received the honor of being the first editor for the prestigious St. Nicholas Magazine, which she named, and featured work by major writers like Louisa May Alcott, Frances Hodgson Burnett, Robert Louis Stevenson, and Mark Twain. Having grown up in a home where accomplished scientists and artists added to a lively household, Mary’s sons, too, knew the delight of these writers’ company. Mary, who was modest about her accomplishments, was an ideal editor who encouraged Rudyard Kipling to write down the adventure stories that he shared with friends. The result was “The Jungle Book”.

“A Longwood Christmas,” Kennett Square, PA

Ms. Dodge helped to launch the careers of young writers with the St. Nicholas League, a monthly magazine for young readers. The affiliated magazine awarded publication and monetary prizes to Edna St. Vincent Millay, E.B. White, Stephen Vincent Benet, and F. Scott Fitzgerald, with his own New Jersey connections. Ms. Dodge continued to write for St. Nicholas Magazine collected in “Baby Days,” “Baby World,” “Poems and Jingles,” and “Rhymes and Verses,” some written in her Catskills home. All of these stories and poems were immensely popular, but it is “Hans Brinker, or The Silver Skates” that timelessly resonates.

“Winter Light Over Catskills,” Betsy Jacaruso, Jacaruso Studio & Gallery Rhinebeck

Rectory, Dutch Reformed Church, est. 1789

In Lord Durham’s rare book collection is an autograph calendar book inscribed by Mary Mapes Dodge from in the Orange Memorial Hospital library, formerly in Orange, New Jersey, with a date of December 16, 1902:

Merry Christmas and Happy Holidays as we travel into 2020.

Santa Vincent “Whitey” Vitale rides through Madison and Chatham, stopping at homes and senior centers, to spread Christmas cheer as he has generously done for years. He and his horse are a big hit with everyone, especially children.

(Sources: gutenberg.org, poetryfoundation.org, ldrb.ca, dodgefamily.org, britannica.com, greatnortherncatskills.com, us.macmillan.com, cdnc.ucr.edu, bookologymagazine.org, http://dla.library.upenn.edu, cartoons.osu.edu/, goodreads.com, whychristmas.com, www.amazon.com.au, Wiki)

The ultimate speed skater, the NJ Devils’ “The Iron Man” by Jon Krawczyk, at Championship Plaza

Skater, by Tom Mosser, NJ Devils’ mural, Prudential Center

Christmas at Kip’s Castle, Montclair, part of Essex County Parks

Jersey Shore Christmas, jeep playing “Merry Christmas, Baby” and “Feliz Navidad,” Spring Lake Irish Centre

Readington Reformed (Dutch) Church, 1719, Readington, New Jersey

Readington Reformed Church celebrates its 200th anniversary

Dilworth Park, Rothman Orthopaedics Ice Rink, Philadelphia

“Virgin and Child,” c. 1475, Metropolitan Museum of Art

Camuso Holiday Display, Livingston, raises money for charity

Winter cozy, Lambertville Trading, Co., Lambertville, Delaware River Towns

Loreto Theatre, Sheen Center, Greenwich Village

“‘A Song for You’: The Grammy Museum Experience at the Prudential Center”

By Kathleen Helen Levey

On April 5, 2019

In Arts, Culture, Music, Travel

Cherry blossoms at nearby Branch Brook Park

Photo taken before an NJ Devils’ game at the Prudential Center. The Grammy Museum entrance is alongside the building.

The Grammy Museum Experience at the Prudential Center, the first satellite of the Grammy Museum in Los Angeles, is a Newark destination where you will receive a warm welcome from staff members who are proud of The Recording Academy’s East Coast home that opened in October 2017. A visit after the annual Newark Saint Patrick’s Day Parade this year added to the celebratory feeling of the awards showcase.

The museum opens with a dramatic entranceway filled with Grammy Awards through the decades. Visitors then enjoy a photo profile timeline of the Grammy Awards highlights since the start in 1958 with performing artists like Lady Gaga, Tony Bennett, Bruno Mars, Frank Sinatra, Miles Davis, Dean Martin, Sammy Davis, Jr., Elvis Presley, and milestones like the founding of the Latin Recording Academy in 1997.

Tony Bennett and Lady Gaga. Lady Gaga, Stefani Angelina Germanotta, developed her material and onstage persona in Parsippany, NewJersey over the course of a year by commuting on buses to work with music producer Ron Fusari

There are also video interviews with singers like Halsey, from Edison, New Jersey and Ed Sheeran. Fun, interactive exhibits “Ray Charles and Raelettes” and two with Newark roots, “Drum with Max Weinberg” and “Wyclef Jean’s Rap Interactive,” are hits with children.

Bruno Mars, Peter Gene Hernandez, sang in the Super Bowl XLVIII in the New Jersey Meadowlands, has a new hit with Cardi B.

Max Weinberg interactive exhibit. Mr. Weinberg’s Jukebox Tour will make a stop in Woodbridge, New Jersey June 1st to celebrate the city’s 350th birthday

During this week’s Cherry Blossom Festival in Branch Brook Park, or after a concert, an NJ Devils match, the annual Mikey Strong Charity Game, or a Seton Hall Pirates basketball game at the Prudential Center is an ideal time to visit the modest-sized museum. Admission is $10 with discounts for youth (3-17, 2 and under, free), college students with ID, like those from Rutgers University Newark, the New Jersey Institute of Technology, Essex County College, and Seton Hall Law School, $9, military with ID, $7, and group rates.

The art at the Prudential Center, known as “The Rock” from the Prudential Insurance Rock of Gibraltar logo, features sculptures as one enters the building: “The Salute,” honoring Martin Brodeur and “The Iron Man,” the latter on Championship Plaza, both by sculptor Jon Krawczyk, a New Jersey native and a Devils’ fan. Indoors is “The Mural,” the largest sports mural in the world by ambidextrous sports artist Tom Mosser from neighboring Pennsylvania, paying homage to New Jersey Devils Martin Brodeur, Ken Daneyko, and Scott Stevens. Commissioned by the NJ Devils, The Mural generously includes other Garden State greats in different sports like Althea Gibson, Richie Regan, Terry Dehere, Tony Meola, and iconic New Jersey landmarks: Newark’s Prudential Building, Barnegat Lighthouse, Atlantic City’s Steel Pier, and the dome of the state capitol. Mr. Mosser’s “Vintage Stadium Series” on Suite Level One, includes all four NJ Devils arenas in which the team has played. Additional works are by Samantha Wendell, Laurie Campbell, Michael Nighswonger, Dane Tilghman, Larry Ketchum, and Andy Bernstein.

“The Salute,” Martin Brodeur by Jon Krawczyk

Partial view of Tom Mosser’s “The Mural” with Althea Gibson, Martin Brodeur, and Richie Regan

Ken Daneyko, who played in the recent Mike Nichols Charity Hockey Game, by Tom Mosser. The Devils support many local, area, and national charities.

“The Iron Man,” modeled after an NJ Devil, by Jon Krawczyk is on Championship Plaza by the Prudential Center.

Children enjoy playing with their pal before games. The dazzling Iron Man is popular with Newark residents and visitors for photos and selfies.

New Jersey Legends

From the fourth smallest contiguous US state comes a remarkable amount of musical talent, reflected in the exhibition “New Jersey Legends”. The names are likely familiar: Jon Bon Jovi, Bruce Springsteen, the Jonas Brothers, Gloria Gaynor, Count Basie, Frank Sinatra, and Les Paul. Either they or their families have generously donated personal items from their careers for visitors to enjoy. There are also traveling photographic exhibits of Bruce Springsteen and Frank Sinatra via the Grammy Museum LA. The exhibit notes the Asbury Park dynamic with many New Jersey musicians.

Tal Farlow, jazz guitarist, left case, and South Johnny and the Asbury Jukes

Grammy winner Taylor Swift, from Reading, Pennsylvania, spent childhood summers in Stone Harbor at the Jersey Shore. Though Ms. Swift is not part of the New Jersey exhibit, a proud note for the state is that she spent childhood summers in Stone Harbor at the Jersey Shore. The museum featured her in an exhibit last year at this time.

“The Jersey Boys” Broadway sensation based on The Four Seasons (Frankie Valli, Bob Gaudio, Tommy DeVito, and Mark Nassi)

Kool and the Gang (Robert Bell, Ronald Bell, George Brown, Dennis Thomas, Charles Smith, Ricky West, Robert Mickens, original members) who tour with new members

Jon Bon Jovi, who has started a business with his son, is recording a new album in Nashville.

One of Count Basie’s Captain captain hats and his 1960 Grammy Award for the “Dance with Basie” album

Les Paul’s medal from the National Inventors Hall of Fame, bestowed without the sneaker reflection. Mr. Paul was one of the inventors of the electric guitar, among other things, for which he also received a Grammy Award for technical achievement.

Suit and sneakers from the red carpet donated by Nick Jonas, recently married to actress Priyanka Chopra. Nicki is also a member of the Jonas Brothers with Kevin and Joe, who just debuted a new single at Penn State University.

“Whitney!”

After writing these modest travel pieces for a few years, an impression is that for a legacy to continue, it is invaluable for the artist’s memory to have a home. Having a physical place for children to learn about the artist, inventor, or leader helps them connect through a shared experience like playing with a new interactive baseball exhibit at the nearby Yogi Berra Museum at Montclair State University, or reading about how Mr. Berra overcame bullying, which serves as an insight into his empathy for others. At their best, such visits not only inform but inspire.

With “Whitney!” at The Grammy Museum Experience, Whitney Elizabeth Houston’s legacy has found a home – at least through June of this year and hopefully longer. “The most awarded female artist of all time,” Ms. Houston remains “the only artist to have 7 consecutive U.S. #1 singles.” Known as “The Voice,” Whitney won six Grammy Awards, two Emmy Awards, 30 Billboard Music Awards, and 22 American Music Awards. Her second album “Whitney” debuted at No. 1 on the Billboard 200, the first female artist to do so. To this day, “The Bodyguard,” 1992, in which she co-starred with Kevin Costner, is the best-selling film soundtrack and “Waiting to Exhale,” 1995, is No. 8, reflecting the staying power of Ms. Houston’s talent. Whitney’s single “I Will Always Love You,” written by Dolly Parton, also a Grammy winner and Lifetime Achievement Award recipient, remains the No. 9 bestselling recording in the world. Even more significantly, Ms. Houston’s success in “The Bodyguard” opened the door for African-American women as leads in blockbuster films. The soundtrack of “The Preacher’s Wife,” wonderful to revisit in writing this, went platinum three times and was and still is a best-selling gospel album.

Whitney with her mother Emily “Cissy” Houston in front of New Hope Baptist Church, Newark

Whitney, now a member of the Grammy Hall of Fame, reached an achievement even beyond multi-gold and platinum records. According to Forbes, the Recording Industry Association of America recognizes 22 artists with “Diamond certification,” that is, two albums “that have shifted at least 10 million equivalent copies between pure sales and streaming”. Whitney is one of those artists whose debut “Whitney Houston” album and “The Bodyguard” each sold more than 10 million copies, 12 million and 11.8 million, respectively. During her career, Whitney sold over 170 million “albums, singles, and videos”. What is immeasurable is Ms. Houston’s artistic influence on singers like Jennifer Hudson, whose tribute is included in the exhibit, Beyonce, Lady Gaga, Alicia Keys, Christina Aguilera, Adele and those still to come.

On exhibit are performance and interview videos, album covers, costumes, and designer gowns from award shows and film premieres. Charming, eclectic things like the magazine covers from Whitney’s modeling days to the fairy godmother tiara that she wore in Disney’s televised “Cinderella,” all create a warm connection with the star for visitors.

An NAACP Image Award in the foreground and American Music Award (glass pinnacle), both for “Waiting to Exhale,” and the “Cinderella” tiara is on the upper shelf

Before Whitney’s red carpet experiences, her mother Emily “Cissy” Drinkard Houston, who led the New Hope Baptist Church Youth Inspirational Choir in Newark for decades, was a Grammy winner. Cissy was part of the Gospel singing group the Drinkard Four, later the Drinkard Singers. As a founder and member of Sweet Inspirations, Cissy was a session singer, a backup singer, or both for Aretha Franklin, Otis Redding, Jimi Hendrix, Van Morrison, Bette Midler, and Elvis Presley in addition to recording her own albums. Her nieces are Dionne and DeeDee Warwick and opera singer Leontyne Price is a distant cousin.

Cissy Houston’s Grammy Awards for her gospel albums “He Leadeth Me” and “Face to Face”

The Whitney Houston exhibit opened in October 2018 attended by her family, including her cousin Ms. Dionne Warwick. Ms. Warwick grew up in East Orange as did Whitney where both had the honor of having their former grammar schools named after them, the Whitney E. Houston Academy for Creative and Performing Arts and the Dionne Warwick Institute of Economics & Entrepreneurship, respectively.

The videos of Ms. Houston’s performances and interviews with producers who worked with her underscore her virtuosity. So gifted, Whitney sang her acclaimed 1991 rendition of the “Star-Spangled Banner” perfectly on the first take for Super Bowl XXV with a talent that surprised even the most experienced producers. Whitney, her arranger John L. Clayton, and anthem producer Rickey Minor slowed down the anthem from 3/4 time to 4/4, which increased the technical difficulty, but also made it more dramatic. This arrangement added to the anthem’s resonance in a time of heightened national security after the Gulf War. A few criticized Whitney for not singing the anthem live which she had done at a Nets-Lakers game, but the thought was that the cheering might not allow her to hear the first notes. Whitney did sing live, actually, though the microphone was off. An estimated 79.6 million people viewed her performance. Ms. Houston donated the proceeds of “the highest charting rendition of the national anthem on the Billboard 100 chart” to Gulf War veterans and their families.

Whitney supported many charitable organizations including her foundation. With her rendition of “A Song for You” at her “Welcome Home Heroes Concert” for those troops returning from the Gulf War, Whitney accomplished what every great singer does – each person in that audience believed that she was singing directly to him or her. We choose such songs for important life events, their words resonating with us. The songwriter Leon Russell, himself a Grammy winner, pitched it and Whitney hit it home as she did in her “One Moment in Time” video for the 1988 Summer Olympics in Seoul, South Korea.

The Sports Emmy Award for her performance of “ One Moment in Time,” written by Albert Hammond and John Bettis

The Whitney Houston Foundation has generously shared personal items of the artist reflecting her start as a soloist at age 11 in the choir of the New Hope Baptist Church in Newark, the city of her birth. In the collection is her high school diploma. With such talent and natural teenage inclinations, Whitney reportedly was eager to start her career as soon as possible and took lessons throughout those years. In high school, I saw Whitney only in passing and make no claims of having known her except to write that before I heard about her singing, I was delighted to discover another tall girl at school. Whitney carried that height gracefully, and I remember a lovely, willowy girl who later blossomed into a beautiful woman. As it turned out, we both had spent our first years in Newark.

An absolute thrill was when the “How Will I Know?” video came out. My former classmates and I called each other (on landlines) in excitement. Years later, we read that Whitney was not as happy with it, perhaps not having had the creative control that she did once her career soared. Both the song and video deliver the charisma, however, of a breakout star. Being world famous, Whitney’s career in music and film were everywhere when I was living overseas.

A wise and long-time friend has shared the quote that people remain the same age for us as when we first met them. From Whitney’s amazing songbook, it would be difficult for any of us to choose a favorite, but “How Will I Know?” takes me back to the sweetness of the beginning.

You can experience the celebration of Ms. Houston, her fellow New Jersey artists, and other Grammy winners at the Prudential Center, Tuesday through Sunday, 11-6 and also find more information about Newark sights at the Greater Newark Convention & Visitors Bureau where you will receive another warm welcome.

(Sources: Grammy.com, billboard.com, whitneyhouston.com, businessinsider.com, independent.co.uk, forbes.com, nytimes.com, espn.com, nhl.com, newarkhistory.com, 101.5, cnn.com, top10hq.com, flickr.com, itunescharts.net, Wiki)

One of the signed posters in the collection of performers at The Rock

The Military Park Building with the Newark Visitors Bureau at Military Park

A walk in nearby Branch Brook Park, envisioned by Frederick Law Olmsted and Calvert Vaux, designers of Central Park. Frederick’s son and stepson, the Olmsted Brothers, realized their vision.

The Belleville part of the park also has a similar Central Park elegance.

The center of Cherry Blossomland where (reserved) tours are available

The harmonious design like Olmsted’s Central Park

The Erie Railroad Bridge, 1932. In addition to bridges and fountains, the park also features a popular roller rink.

Park patron Caroline Bamberger Fuld brought 2,050 cherry tree saplings from Japan in 1927 and nurtured them on the grounds of her estate in Orange until they were ready for planting in the park. Today there are 5,300 trees, the most in the United States.

There are 14 varieties of cherry blossom trees in Branch Brook Park.

The French Gothic Revival Cathedral Basilica of the Sacred Heart next to the park. There is a beautiful view of the basilica across the lake.

Every shade of pink. There are three types of blossoming trees: single blossom, double blossom, and weeping cherries.

Beautiful white blossoms with more at Branch Brook Park Alliance

“Central Park: A Heart Song Runs Through It”

By Kathleen Helen Levey

On February 12, 2019

In Arts, Culture, Nature, Park, Travel

Valentine’s Day

Blue sky reflected on shimmering ice at the Conservatory Water

Coming Attractions

The age-old wisdom when choosing a partner is to see how he treats his mother and servers. One might add, travel with him. If you both are excited by things you experience, fantastic. If the trains never run on time, which make you both laugh, even better – that person’s a keeper. Maya Angelou included one more prong on the test: spend time with that special someone when it rains. Does he light up your day?

To these, one might add another test learned in youth, crucial if you are a movie lover. Share a favorite film with your partner and see what happens. When Robert Redford’s “A River Runs Through It” from Norman Maclean’s novella came out on the now nostalgic videotape, I brought home the movie to watch again with two roommates as one does with things too good not to share. “You’ve got to see this. It’s a beautiful film.”

While watching, one woman, feeling hoodwinked, stomped out halfway through and complained, “Nothing happens.” The other fell asleep. To the list, add the “A River Runs Through It” test. Perhaps this was a lesson in not imposing one’s taste on others, and such a reaction has happened rarely, in fact, but it’s good to be excited about great work.

Honoring musical artist John Lennon at Strawberry Fields

The Main Feature: Central Park

With love, like the view from Belvedere Castle, all things seem possible. Paraphrasing for St. Valentine’s Day, but the love of devotion is evident in the park as much as romance. A cheerful volunteer smiling and offering passers-by park maps from a windowless booth on a day of frozen park waters reminds us that the beauty of Central Park is not just cinematic. Those who remember “A River Runs Through It” would also recall the park at that time, and how the Conservancy and staff have transformed it.

The Angel of the Waters by Emma Stebbins

As Bow Bridge takes us across the Lake, Central Park’s beauty carries us serenely back into our day. The love in the details of Central Park’s design by Frederick Law Olmsted and Calvert Vaux delivers the romance of nature every day. Artists who paint the park, musicians who set it to music, and photographers and filmmakers who capture it, share their inspiration. Both New Yorkers who enjoy the park daily and visitors remind us of how special a place it is. As park-goers know, hearing first-time explorers’ exclamations of delight is lovely.

“Mandy”

One place that draws people now is the Pond where visitors have come for months to see the Mandarin duck. The bird-watching at the Pond is Central Park at its best. On a recent weekend visit, a crowd had gathered at the water’s edge. Around the Pond, there is the shared excitement of spotting Mandy, then following his movements, speculating where he will go next. Then there is the romance of experiencing something beautiful and unique with others. Two men charmed women with talk of the duck, which was both delightful and impressive. Couples came and went, some reaching for each other’s hands upon sighting Mandy. This sweetness may go back to our childhoods. Earlier at Harlem Meer, a young father had taken his elated son to see his friends, the ducks. For many, ducks were a memorable first contact with wildlife.

Winter at Harlem Meer with a view of the Charles A. Dana Recovery Center

A photographer proudly and warmly shared that he had first captured “Mandy” (a description which hopefully is not too revealing regarding the former), and a lovely woman mentioned that she had come from a distance to take the duck’s photos as well. Others climbed up on the rocks or dashed to Gapstow Bridge for a better view animatedly talking about the duck in several languages, all understood. Some in the group composed entirely of adults remarked on his stunning appearance with color block feathers of blue, russet, brown, purple, black, orange, white, and grey.

What is the draw of a bird? There is the intrigue of the Mandarin duck. Why has he come? Why has he stayed? Was he ever an ugly duckling? Like a gift twice over for photographers, his savvy in selecting one of the most picturesque spots in the park to hold court enhances a stylish panache that rivals Fashion Week. The gentleman charms wearing the Savile Row suit of plumage in the duck world.

The Mandarin duck stands out in a stand-out crowd and gets on well with them (2/19)

Photographers compared notes about the best lenses to capture Mandy’s detail. People politely took turns to take pictures, civility much like that at fellow park New York Botanical Garden events. The inexplicable appearance of the duck is one of the special park experiences like Christo and Jeanne-Claude’s “The Gates,” which thrilled when I lived in the city. Coincidentally, wonderful photos of this were tweeted today @CentralParkNYC, a reminder to anyone who writes that tweets make the new deadlines.

Looking back while leaving, were it not too revealing with faces, the photo that I would have taken for “It’s the People” for the warm #CentralParkLove hashtag this Valentine’s Day week would be the small, warm circle gathered around the tiny bank of the Pond that Mandy was favoring that day. If you live in New York City or plan a trip to the park and want to feel good, have a visit with the Mandarin duck.

Thank you to Manhattan Bird Alert @BirdCentralPark on Twitter for keeping us posted on the whereabouts of this celebrated resident.

Hans Christian Anderson and the title character of “The Ugly Duckling”

Sequel

In Central Park, there is the romance of childhood revisited with one’s children. Those who grew up going to the park can return to take their children to play in the same playgrounds, go ice skating, ride the Carousel, climb the big rocks, visit the zoo, and see a play at the Swedish Cottage Marionette Theater with “Yeti, Set, Snow!” presently on the marquee.

In terms of a plot at Central Park, there is not much to tell – people go there for walks, recreation, nature — and sometimes to see a duck. Aside from being a cinematographer’s dream, regarding feeling in the park, there is everything. Nothing, but everything, happens.

Thank you to Central Park for creative inspiration. Enjoy the park’s Instagram @centralparknyc and Central Park on Facebook with beautiful photos of the Mandarin duck and the park.

The Loeb Boathouse at the half-frozen Lake

The music of the park, Duke Ellington by Robert Graham, Duke Ellington Circle, northeast corner of the park, Harlem

Vanderbilt Gate entrance to the Conservatory Garden

Tito Puente Way, northeast corner of the park, Harlem

“Courage: Paul Robeson”

By Kathleen Helen Levey

On February 17, 2018

In Arts, Culture, History, Theater

Paul Robeson Center for the Arts, home of Arts Council of Princeton, designed by Michael Graves

In the New Jersey chapter of his legendary life, Paul Robeson, the son of a former slave, was born in Princeton. His father, William Drew Robeson I, also an accomplished man, was the minister of Witherspoon Street Presbyterian Church for 21 years. Through the Underground Railroad, William had escaped from slavery at the age of 15, later serving in the Union Army as a laborer and graduating from Lincoln University with a Sacred Theology degree. Paul’s mother, Maria Louisa Bustill, was of African-American, Native American, and Anglo-American descent and brought up in a well-known Quaker family of abolitionists. One of her ancestors founded the Free African Society in Philadelphia in 1787. Though Lincoln University accepted only men at the time, Maria and her sister received permission to attend classes, and Maria later taught and tutored in the Princeton community.

Tragically, when Paul was six, his mother died in an accident at home and shortly after the remaining Robesons, Paul, his father, and four siblings, moved to Westfield, also in Central New Jersey. Unfortunately, differences of opinion about the direction of the Witherspoon Street Presbyterian Church, founded by what was the First Presbyterian Church, had also led to Minister Robeson’s move to another congregation, initially in Westfield and then in nearby Somerville, where the family settled. Paul attended Somerville High School and then Rutgers University, 1915-1919, the only African-American at the time, the third in its history. At Rutgers, he played four varsity sports, earned 15 varsity letters, won speech and debate competitions, and was a glee club soloist. Despite resistance from some football players, he was twice All-American, a member of the Phi Beta Kappa Society, the Cap and Skull Honor Society, and class valedictorian. He went on to receive a law degree from Columbia University while playing for the NFL.

Paul Robeson excelled at everything he did, which for an African-American man at the time was not always the blessing one might have hoped. Opportunity for him to practice law in New York City proved limited, so he developed his artistic talent as a singer and an actor, becoming a star of the stage and screen as well as a renowned concert artist. Paul possessed a remarkable bass voice, which he described as a baritone. Of his versatile creative roles, concert performer allowed him the most artistic control. Over a remarkable life, the world citizen who was fluent in many languages lived in England and did travel the world. His compassion made him a lifelong advocate not only for civil rights but human rights through avenues of change that were available to him at the time. Paul Robeson was possibly the person whose view of the artist – through the roles they chose and the publicity they garnered – who created a template for our time of artists as people who bring attention to those who are suffering.

Today, the Arts Council of Princeton preserves Paul Robeson’s legacy as an artist in the Paul Robeson Center near his childhood home in addition to schools in his name throughout the state and the Newark Rutgers Campus Center. For the Arts Council’s extensive classes, programs, exhibits, and events, visit: Arts Council of Princeton or @ArtsCouncilofPrinceton on Facebook and Instagram with Twitter updates @ArtsPrinceton Twitter.

The Robeson family home, once owned by the church, is now undergoing a renovation by the nonprofit The Paul Robeson House of Princeton. Pictured also is the Paul Robeson Center, designed by Princeton architect Michael Graves. Prominent sculptor Jacob Epstein created the bust of Paul Robeson that welcomes visitors.

Writing New Jersey Life

People and places of New Jersey…with some travels.

Category: Arts

A Thanksgiving: The Emily Dickinson Museum

Seward Johnson’s Invitation to Grounds for Sculpture

A Cherry Blossom Spring: Branch Brook Park

“The National Arts Club: In Love with the Arts”

“Christmas in Stockbridge”

“Christmas at Heart: Mary Mapes Dodge”

“‘A Song for You’: The Grammy Museum Experience at the Prudential Center”

“Central Park: A Heart Song Runs Through It”

“Courage: Paul Robeson”

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