Writing New Jersey Life

People and places of New Jersey…with some travels.

Category: Theater

“A Christmas Carol” with Gerald Charles Dickens, The Historic Village of Allaire, and Two River Theater

“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach.”                 

A Christmas Carol, Charles Dickens

Often, we experience and hear similar stories from others that children enjoy playing with the embellishments of Christmas – making art with bows, creating collages, and stacking present boxes -more so than exploring the more costly gifts.  Their playfulness is a celebration.


In Gerald Charles Dickens’ performance of A Christmas Carol, his pared-down, one-man interpretation of the beloved story reminds the audience that his great-great-grandfather’s words are a gift.  There are no lavish stage settings or fancy props. Instead, Mr. Dickens plays with the gift, reinventing it to present it anew to the audience. In early December of 2025, on his USA Farewell Tour at Two River Theater, sponsored by The Historic Village at Allaire, in a Q&A Gerald warmly shared that he “feels a theatrical connection with Dickens, which allows for versatility and interpretation…”  After being on the road performing this and other Dickens works for thirty-two years, Mr. Dickens wants to spend more time with family, but his cousin’s son may pick up the mantle. 

Mr. Dickens conveys the warmth and charm of the kindest and best of Dickens characters.

A heartwarming anecdote is Gerald’s sweet memory of the first time that he discovered A Christmas Carol. In a scene straight out of a Dickens novel, five-year-old Gerald was celebrating Christmas with all his family.  The little cousins got into a big bed to listen while a family member read the story to them. 

Mr. Dickens explained some historical context of the novella. Charles Dickens wrote A Christmas Carol at the height of the Industrial Revolution.  Once a child worker himself after his father was sent to debtors’ prison, and as a man of deep faith, Charles Dickens was concerned that the workers’ children would have no education and become a lost generation.  Rather than lecture people, Dickens hoped that his moving tale would connect with audiences and convince them to care about England’s many Tiny Tims.  


Charles Dickens created the beloved novella in six weeks of intensive writing. Published on December 19, 1843, the first edition sold out by Christmas Eve.  Meticulous about the book cover’s quality and illustrations, Dickens did not make as much money as he might have, but his message of “reformation and redemption,” as Gerald described it in a YouTube interview, resonated. By 1844, the novella had gone through 13 printings and is still a bestseller.  His original handwritten copy is at The Morgan Library & Museum, where the Renoir drawings are on exhibit until February 8th.

Regarding films of the story, Mr. Dickens enjoys the Muppets version with Michael Caine, because it uses more of the narration as does his play; he also favors the George C. Scott and Alistair Sims films. Regarding Charles Dickens’ biographers, Gerald prefers the books of Clair Tomalin, Edgar Johnson, and the biography by his great-great-grandfather’s friend John Foster.  Those interested in more may follow Gerald’s charming blog, On the Road with Gerald Dickens.  Gerald Charles Dickens is also the author of two books My Life on the Road with A Christmas Carol and Dickens and Staplehurst: A Biography of a Rail Crash. (What was refreshing and likable is that Mr. Dickens only mentioned his books once in passing.) Everyone can also enjoy interviews with him via YouTube.

The elegant, state-of-the-art Two River Theater from Facebook, which notes events like Shakespeare’s As You Like It, with student performers, premiering January 24th.

Gerald’s great-great-grandfather, with whom he also shares a family resemblance, toured across the United States twice and received warm welcomes.  His first trip was for writing inspiration and to promote the idea of an international copyright, because his books were routinely published outside of England without credit.  On the second trip, he read from his works, which included A Christmas Carol, and acted some of its roles.

Daryl O’Connell, Allaire Director of Development, served as emcee

A Christmas Carol festivals are held throughout England. Here in the US, Mr. Dickens has performed A Christmas Carol in fundraisers for The Historic Village at Allaire, in Farmingdale, New Jersey. (Industrialist and philanthropist James Allaire, a contemporary of Charles Dickens, founded the village, now a nonprofit living history museum, in 1822.) Further south, for fifty-two years, the Galveston Historical Foundation has hosted “Dickens on the Strand” on the first weekend in December (4th-6th in 2026). This Texan celebration of A Christmas Carol has always had a Dickens family member present; it may be possible to see Gerald Charles Dickens as a speaker, though his US performances ended December 15th.  Hearing the inside story of family members warmly exchanging thoughts on their “Dickens on the Strand” experiences was fun to hear.

For upcoming events, kindly visit the The Historic Village at Allaire on social media.

The scenic village grounds host events from April through December – visitors and new members are welcome!

Charles Dickens’ words have passed through the generations in his family and created the bond of a unique, shared experience. For those traveling to, or living in the UK, Mr. Dickens and his brother Ian are starting a “Dickens House Party Weekend” at The Royal, where Dickens stayed in 1838 while writing “David Copperfield,” on the Isle of Wight, February 27th-March 1st. The Dickens Fellowship, which is supported by Gerald and other family members, has chapters around the world and offers a connection for admirers of Charles Dickens. With the Dickens family’s dedication, A Christmas Carol is a gift from the past that delights us in the present and will continue to do so in the future.

Thank you to the Historic Village at Allaire for the wonderful experience! 

Ms. O’Connell and two members of the dedicated team of staff and volunteers of Allaire Village with fundraising Christmas bears from the General Store – definitely more fun to play with than wrapping paper!

(Sources: geralddickens.wordpress.com, arts.gov, www.charlesdickenspage.com, YouTube, Wiki)

“‘A Christmas Carol’ with Gerald Charles Dickens, The Historic Village of Allaire, and Two River Theater” All Rights Reserved ©2026 Kathleen Helen Levey

Courage: Paul Robeson

 

Paul Robeson Center for the Arts, home of Arts Council of Princeton, designed by Michael Graves

In the New Jersey chapter of his legendary life, Paul Robeson, the son of a former slave, was born in Princeton.  His father, William Drew Robeson I, also an accomplished man, was the minister of Witherspoon Street Presbyterian Church for 21 years. Through the Underground Railroad, William had escaped from slavery at the age of 15, later serving in the Union Army as a laborer and graduating from Lincoln University with a Sacred Theology degree.  Paul’s mother, Maria Louisa Bustill, was of African-American, Native American, and Anglo-American descent and brought up in a well-known Quaker family of abolitionists.  One of her ancestors founded the Free African Society in Philadelphia in 1787.  Though Lincoln University accepted only men at the time, Maria and her sister received permission to attend classes, and Maria later taught and tutored in the Princeton community.

Tragically, when Paul was six, his mother died in an accident at home and shortly after the remaining Robesons, Paul, his father, and four siblings, moved to Westfield, also in Central New Jersey.  Unfortunately, differences of opinion about the direction of the Witherspoon Street Presbyterian Church, founded by what was the First Presbyterian Church, had also led to Minister Robeson’s move to another congregation, initially in Westfield and then in nearby Somerville, where the family settled.  Paul attended Somerville High School and then Rutgers University, 1915-1919, the only African-American at the time, the third in its history.  At Rutgers, he played four varsity sports, earned 15 varsity letters, won speech and debate competitions, and was a glee club soloist. Despite resistance from some football players, he was twice All-American, a member of the Phi Beta Kappa Society, the Cap and Skull Honor Society, and class valedictorian. He went on to receive a law degree from Columbia University while playing for the NFL.

Paul Robeson excelled at everything he did, which for an African-American man at the time was not always the blessing one might have hoped. Opportunity for him to practice law in New York City proved limited, so he developed his artistic talent as a singer and an actor, becoming a star of the stage and screen as well as a renowned concert artist.  Paul possessed a remarkable bass voice, which he described as a baritone. Of his versatile creative roles, concert performer allowed him the most artistic control. Over a remarkable life, the world citizen who was fluent in many languages lived in England and did travel the world. His compassion made him a lifelong advocate not only for civil rights but human rights through avenues of change that were available to him at the time. Paul Robeson was possibly the person whose view of the artist – through the roles they chose and the publicity they garnered – who created a template for our time of artists as people who bring attention to those who are suffering.

Today, the Arts Council of Princeton preserves Paul Robeson’s legacy as an artist in the Paul Robeson Center near his childhood home in addition to schools in his name throughout the state and the Newark Rutgers Campus Center.  For the Arts Council’s extensive classes, programs, exhibits, and events, visit: Arts Council of Princeton or @ArtsCouncilofPrinceton on Facebook and Instagram with Twitter updates @ArtsPrinceton Twitter.

The Robeson family home, once owned by the church, is now undergoing a renovation by the nonprofit The Paul Robeson House of Princeton.  Pictured also is the Paul Robeson Center, designed by Princeton architect Michael Graves.  Prominent sculptor Jacob Epstein created the bust of Paul Robeson that welcomes visitors.

(Sources: “The Moral Quandary of Heels” Copyright © 2013 All Rights Reserved Kathleen Helen Levey All Rights with additional notes from Lincoln.edu, Wiki)

 

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