“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach.”
A Christmas Carol, Charles Dickens
Often, we experience and hear similar stories from others that children enjoy playing with the embellishments of Christmas – making art with bows, creating collages, and stacking present boxes -more so than exploring the more costly gifts. Their playfulness is a celebration.
In Gerald Charles Dickens’ performance of A Christmas Carol, his pared-down, one-man interpretation of the beloved story reminds the audience that his great-great-grandfather’s words are a gift. There are no lavish stage settings or fancy props. Instead, Mr. Dickens plays with the gift, reinventing it to present it anew to the audience. In early December of 2025, on his USA Farewell Tour at Two River Theater, sponsored by The Historic Village at Allaire, in a Q&A Gerald warmly shared that he “feels a theatrical connection with Dickens, which allows for versatility and interpretation…” After being on the road performing this and other Dickens works for thirty-two years, Mr. Dickens wants to spend more time with family, but his cousin’s son may pick up the mantle.
Mr. Dickens conveys the warmth and charm of the kindest and best of Dickens characters.
A heartwarming anecdote is Gerald’s sweet memory of the first time that he discovered A Christmas Carol. In a scene straight out of a Dickens novel, five-year-old Gerald was celebrating Christmas with all his family. The little cousins got into a big bed to listen while a family member read the story to them.
Mr. Dickens explained some historical context of the novella. Charles Dickens wrote A Christmas Carol at the height of the Industrial Revolution. Once a child worker himself after his father was sent to debtors’ prison, and as a man of deep faith, Charles Dickens was concerned that the workers’ children would have no education and become a lost generation. Rather than lecture people, Dickens hoped that his moving tale would connect with audiences and convince them to care about England’s many Tiny Tims.
Charles Dickens created the beloved novella in six weeks of intensive writing. Published on December 19, 1843, the first edition sold out by Christmas Eve. Meticulous about the book cover’s quality and illustrations, Dickens did not make as much money as he might have, but his message of “reformation and redemption,” as Gerald described it in a YouTube interview, resonated. By 1844, the novella had gone through 13 printings and is still a bestseller. His original handwritten copy is at The Morgan Library & Museum, where the Renoir drawings are on exhibit until February 8th.
Regarding films of the story, Mr. Dickens enjoys the Muppets version with Michael Caine, because it uses more of the narration as does his play; he also favors the George C. Scott and Alistair Sims films. Regarding Charles Dickens’ biographers, Gerald prefers the books of Clair Tomalin, Edgar Johnson, and the biography by his great-great-grandfather’s friend John Foster. Those interested in more may follow Gerald’s charming blog, On the Road with Gerald Dickens. Gerald Charles Dickens is also the author of two books My Life on the Road with A Christmas Carol and Dickens and Staplehurst: A Biography of a Rail Crash. (What was refreshing and likable is that Mr. Dickens only mentioned his books once in passing.) Everyone can also enjoy interviews with him via YouTube.
The elegant, state-of-the-art Two River Theater from Facebook, which notes events like Shakespeare’s As You Like It, with student performers, premiering January 24th.
Gerald’s great-great-grandfather, with whom he also shares a family resemblance, toured across the United States twice and received warm welcomes. His first trip was for writing inspiration and to promote the idea of an international copyright, because his books were routinely published outside of England without credit. On the second trip, he read from his works, which included A Christmas Carol, and acted some of its roles.
Daryl O’Connell, Allaire Director of Development, served as emcee
A Christmas Carol festivals are held throughout England. Here in the US, Mr. Dickens has performed AChristmas Carol in fundraisers for The Historic Village at Allaire, in Farmingdale, New Jersey. (Industrialist and philanthropist James Allaire, a contemporary of Charles Dickens, founded the village, now a nonprofit living history museum, in 1822.) Further south, for fifty-two years, the Galveston Historical Foundation has hosted “Dickens on the Strand” on the first weekend in December (4th-6th in 2026). This Texan celebration of AChristmas Carol has always had a Dickens family member present; it may be possible to see Gerald Charles Dickens as a speaker, though his US performances ended December 15th. Hearing the inside story of family members warmly exchanging thoughts on their “Dickens on the Strand” experiences was fun to hear.
The scenic village grounds host events from April through December – visitors and new members are welcome!
Charles Dickens’ words have passed through the generations in his family and created the bond of a unique, shared experience. For those traveling to, or living in the UK, Mr. Dickens and his brother Ian are starting a “Dickens House Party Weekend” at The Royal, where Dickens stayed in 1838 while writing “David Copperfield,” on the Isle of Wight, February 27th-March 1st. The Dickens Fellowship, which is supported by Gerald and other family members, has chapters around the world and offers a connection for admirers of Charles Dickens. With the Dickens family’s dedication, A Christmas Carol is a gift from the past that delights us in the present and will continue to do so in the future.
Ms. O’Connell and two members of the dedicated team of staff and volunteers of Allaire Village with fundraising Christmas bears from the General Store – definitely more fun to play with than wrapping paper!
Enjoy seeing “Superfine: Tailoring Black Style,” this year’s exhibition of the Costume Institute of the Metropolitan Museum of Art, through October 26th. The exhibition examines Black style over a 300-year period via dandyism, a fusion of African and European styles, and how style has contributed to the development of Black identity. The exhibit defines a dandy as a person who “studies above everything else to dress elegantly and fashionably”. Zora Neale Hurston’s essay “Characteristics of Negro Expression” (1936) was the springboard for the twelve sections, or aspects, of dandyism that the exhibition presents. Following are a few highlights:
A Jeffrey Banks Ensemble [1980’s] and suit for Andre Leon Talley, “fashion icon,” “creative director and editor at large at ‘Vogue,’ and Paris bureau chief of ‘Women’s Wear Daily'” by Morty Sills (1986), the latter “bespoke tailor” mentioned in the film “Wall Street”:
Josephine Baker portrait by Teddy Piaz (1932) in a tailless tuxedo by Arturo Cifonelli; Ms. Baker, who fought in the French Resistance and wore a Free French uniform at the March on Washington with Dr. King, was the first Black woman inducted into the Pantheon with France’s other military heroes:
Louis Vuitton Ensemble by Pharrell Williams (2025), inspired by the Air Afrique uniforms revived in a collective by Lamine Diaoune; Air Afrique, with stylish uniforms by Dior, supported African art, films, and fashion, was an airline founded by eleven decolonized African countries in 1961 to promote “intra-African travel and culture development”:
“Tailcoat worn by Grace Jones” by Jean Paul Gaultier (2011-12) at the annual amfAR Inspiration Gala in Brazil in 2012. Ms Jones collaborated with both Mr. Gaultier and headwear designer Philip Treacy:
“Portrait of Thomas-Alexandre Dumas,” (1801), by Louis Gauffler depicts the father of the novelist Alexader Dumas; Thomas-Alexandre, son of a marquis and a mother who was a slave in Saint-Domingue (Haiti), he was the first Black to rise to the rank of General-in-Chief of the French Army; his imprisonment in a dungeon during part of the French Revolutionary War inspired “The Count of Monte Cristo”:
House of Balmain Ensemble by Olivier Rousteing (2023), black velvet coat with gold metallic braid embroidered with pearls and crystals inspired by a 19th-century French cavalry jacket paired with black track pants; Mr. Rousteing refers to those who wear and admire his clothes as “Balmain’s Army”:
Hat worn by Walt Frazier (ca. 2010) and ‘Jet’ magazine cover (1974); Mr. Frazier’s nickname “Clyde” came from the fedoras he wore that were reminiscent of Warren Beatty’s from ‘Bonnie & Clyde’; Mr. Frazier developed the Clyde line of sneakers with PUMA, still popular today.
Silk shirts by Joe Casely-Hayford OBE [1980’s], part of a series from the renowned tailor for whom the British Fashion Council Foundation have established a scholarship with Casely-Hayford. (britishfashioncouncil.co.uk):
“Maya Angelou Passport Ensemble” (2023-24) from LABRUM London by Foday Dumbaya, which represents Mr. Dumbaya’s immigration journey from Sierra Leone to London; inspired by Ms. Angelou’s ‘Passports to Understanding’ essay in “Wouldn’t Take Nothing from My Journey Now” (1993):
Andre Leon Talley Louis Vuitton trunks (1990) – The possession of luggage represents freedom and prosperity:
Some of the tailors and designers from or relevant to the exhibition, like Charlie Casely-Hayford, the son of Joe Casely-Hayford, shared their interpretations of dandyism for attendees of this year’s Met Gala.
Music in the Instagram post @kathleenhelenlevey: “Take the ‘A’ Train” by Duke Ellington and Billy Strayhorn. (Additional sources: Met Museum, apnews.com, vogue.com, nytimes, wiki, Andre Leon Talley @andreltalley, americainclass.org/RutgersU/Cheryl Wall, 1997, essence.com, casely-hayford.com, rolfpotts.com, esquire.com, barnard.edu, isac.uchicago.edu/museum-exhibit, @chrisroyerscollections IG, monacolife.net, airmail.news, amazon.com, us.puma.com)
Enjoy seeing the splendid “Sargent and Paris,” 1874-1884, at the Metropolitan Museum of Art, New York through August 3rd. The early paintings of the American expatriate, who spoke several languages and was an accomplished pianist, reveal not only his brilliance but the genuine friendships he had with his patrons and fellow artists with whom he exchanged works as gifts and who praised his work publicly as he did theirs. The world traveler had a natural curiosity about people, their lives, and cultures. He mastered Realism, though he showed skillful use of Impression. Well-known for his portraiture, he painted murals in later years.
Following are a few highlights of the exhibition:
“Madame Ramon Subercaseaux,” wife of his friend Ramon Subercaseaux, Chilean diplomat and artist
A self-portrait at age 30
The initially scandalous and later renowned “Portrait of Madame X”: John Singer Sargent excelled at depicting society women with great elegance. Subjects usually sought him out; in this instance, he pursued the renowned beauty American-born socialite Virginie Amelie Avegno Gautreau, who had married a prominent French banker. Initially, the right shoulder strap of the gown was down in the portrait, but this, combined with so much exposed skin, i.e., no evening gloves, created a scandal. The artist repainted a raised strap, but his subject rejected it. Mr. Sargent left for London and took the portrait with him. John Singer Sargent was confident that this was his best work, and his loyal friends supported him.
The artist in the studio
Photo of Virginie Amelie Avegno Gautreau with the gown’s strap down
A Gust of Wind (Judith Gautier)”
“Oyster Gatherers of Cancale”; one of a series of this scene that Sargent created with models whom he posed.
“La Carmencita (Carmen Dauset Moreno),” a Spanish style dancer and the first woman featured in film (1894).
“Fumée D’Ambre Gris (Smoke of Ambergris)”; the artist had a model pose in Tangiers for this painting of ambiguous meaning, possibly religious, which he completed in his Paris studio.
“Fete Familiale (The Birthday Party)” depicts John Singer Sargent’s friends and fellow artists Albert Besnard and his wife Charlotte Dubray, and their son, Robert.
“An Out-of-Doors Study” (Paul Helleu Sketching with His Wife)
“Dr. Pozzi at Home,” Samuel Jean Pozzi, an Italian medical doctor who was also “an aesthete and a collector” (partial view)
“Madame Georges Charpentier and Her Children” by Renoir, one of the paintings by a Sargent peer in the exhibition
“La Vicomtesse de Pouilloue de Saint-Perier (Marie Jeanne de Kergolay)”
Looking forward to returning to see the works of John’s sister Emily Sargent on view through March 8th. Music on Instagram @kathleenhelenlevey, published on July 19, 2025, is by the artist’s friend Faure.
Dans les Olivier’s a Capri (Among the Olive Trees, Capri)
The Met Museum and the Musee d’Orsay organized the exhibition. The generous sponsors are The Marguerite and Frank A. Cosgrove Jr. Fund with Bank of America, The Sam and Janet Salz Trust, GRoW @ Annenberg, Jim Breyer, the Aaron I. Fleischman and Lin Lougheed Fund, and Trevor and Alexis Traina.
(Sources: Met Museum, arthistory.net, Museum of Fine Arts Boston, Clark Art, new.artsmia.org, Wiki).
“You can tell a lot about a person by the way they handle three things: a rainy day, lost luggage, and tangled Christmas tree lights.” Maya Angelou
With the speed of a run down a Berkshire ski slope, Christmas has arrived…and gone, less than a month after Thanksgiving this year. The Three Kings still travel towards the star as the Jewish faithful light their menorahs, so here’s a “merry mini” to keep the holiday cheer going.
Each December, the Stockbridge Chamber of Commerce recreates the much-beloved Norman Rockwell painting “Stockbridge Main Street at Christmas,” which was wonderful to experience before the pandemic (“Christmas in Stockbridge”). Despite the rain on that trip, everyone was in great spirits. Returning this Christmas was reassuring that the event is not only back but is even better and more fun for children including a visit with Santa and Mrs. Claus, a petting zoo, and face painting. Both on the first trip and this, visitors were friendly and considerate, offering to take photos of each other by the classic cars. (Classic car fans will enjoy chatting with proud owners of vintage cars, some from New Jersey.) Not only do the details from Norman Rockwell’s beloved painting come to life, but so does the vibe, which he might enjoy even more. For anyone looking for the holiday spirit, this is the perfect event to experience.
Close-up with Christmas tree in the second-floor window (Norman’s former studio) over the General Store (slightly lightened here for visibility)
The artist warms the darkened Red Lion Inn, formerly closed in the winter, with children and a Christmas tree-topped red Mercury
The Mercury comes to life along with the Red Lion Inn
Victorian carolers on the porch of the Red Lion Inn
The charm is in the details
Norman’s former studio above the General Store (with a 🎄); he later had a studio behind his home on South Street, which is now part of the nearby Norman Rockwell Museum.
Winter chapeau
Cute surprise 🐾
Beautiful detail
Santa’s reindeer at the petting zoo
Store windows display entries for the gingerbread house contest (Williams & Sons Country Store)
Historic Red Lion Inn
Visitors first arrived at the historic Red Lion Inn by stagecoach in 1773. Since then, additions to the original building starting in the 1800s and the accumulation of antique furniture and china have given the inn its unique character and charm.
A truly jolly and charming Santa at The Red Lion Inn (visiting for a different event)
Red Lion Inn
Party starter
Santa’s rooftop view and a few reindeer hoofprints 🦌
Santa’s daytime ride
A door to nowhere (2016), part of the historic inn’s ramshackle charm, long suspected of being Santa’s portal to the North Pole (effectively confirmed in “Red One”). Luggage dropped off here is never lost, just regifted.
Winterberry welcome
Norman Rockwell Museum
Why are Norman Rockwell and his work so beloved? His warmth and humor got his fellow Americans through the Great Depression and several wars, and they cheer us to this day. His illustrations depicted touchstone moments of life, which we all have in common. Mr. Rockwell worked mostly on deadlines to create covers for The Saturday Evening Post, whose editors gave him creative freedom. Over 47 years, he completed 323 covers for the bimonthly periodical, and his overall body of work includes an impressive 4,000-plus paintings. Admirably, as a consummate professional, he carried on with this cheer through some difficult personal times. Modestly, Norman Rockwell considered himself a commercial illustrator, not an artist. Each of his paintings tells a story, and Norman was excellent at casting. Favoring naturalism, he employed neighbors and friends as models instead of professionals. In interviews, they fondly recounted his style of direction, which set them at ease and enabled them to become the characters. Inherent in this collaboration was an element of trust.
“Pepsi Cola Santa,”1965, a second attempt as Santa initially appeared too tipsy
Original costume for “Pepsi Cola Santa”
In producing paintings often within two months, photography expedited the process and spared subjects from posing for lengthy periods in positions often too awkward to maintain. Some art critics chastised him for this, but with his training and talent, as noted, he did have the expertise to paint traditionally. As he said, he had an eye like a camera.
Norman Rockwell giving direction to one of his models (museum exhibition of 2009 via npr.org)
Originally a New Yorker, Norman Rockwell arrived in Stockbridge via Vermont. Regarding the town where he lived for the last 25 years of his life, Norman remarked that he loved living in a place where he knew everyone. He captured that happiness in “Stockbridge Main Street at Christmas”. The painting, which is on view at the Norman Rockwell Museum, has the spontaneous look of a snapshot. That “spontaneity” took the artist 11 years to capture between 1956 and December 1967. The work conveys someone taking in the view from across the street, perfectly depicted with a panorama. The golden light of welcoming shops owned by neighbors illuminates the winter blue sky and makes the painting feel suffused with love. (Even a darkened Red Lion Inn, formerly closed in the winter and now lively with Victorian carolers and visitors for the event, does not detract.) Though the holiday preparations look ordinary – people Christmas shopping, neighbors chatting, children throwing snowballs, the ordinary, everyday things are what we all appreciate after an absence, and Christmastime charms most of all. Painted during the time of the Vietnam War, the painting also reassures with its “changelessness, tranquility, and safety”. (massmoments.org)
“Tiny Tim and Bob Cratchit (God Bless Us Everyone),” 1934, cover The Saturday Evening Post
(“Christmas Homecoming,” 1948, cover for The Saturday Evening Post, December 25th. As noted in a Post blog, the mother Norman’s wife Mary, the returning son, their son, Jerry. To Mary’s left is their son Tommy in the plaid shirt, and their youngest son Peter is far left with glasses. Norman is pictured as the happy father who is smoking his pipe. The others are friends and neighbors and frequent models which adds to the warmth of the painting.)
The painter known for celebrating small-town Americana kept his work fresh and original in a professional life of fifty-six years. As he once remarked, “Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative. We find that it is not a new scene which is needed, but a new viewpoint.” With his classical art training, Mr. Rockwell could paint using a traditional process. At 15, he was already making Christmas cards professionally. The aspiring artist left high school after his sophomore year; he studied at the Chase Art School (Parsons School of Design) and later at the National Academy of Design and the Art Students League of New York. (The museum shares that Gerard ter Borch, Peter de Hooch, and Johannes Vermeer, who also used light to great effect, were three of Norman’s favorite artists.) As noted in “Frankly Norman,” a more -in-depth profile, by 19, Norman Rockwell was an associate art director at Boy’s Life, the magazine for the Boys Scouts.
Charming model of Stockbridge, generously donated by Carol Soeldner
“The Discovery,” 1956
A tired waiter after the celebration in a charcoal study for “Happy New Year,” Saturday Evening Post cover, December 29, 1945
His muscular Rosie the Riveter, a Saturday Evening Post cover, May 29, 1943, which reflects women’s movement into the workforce during World War II, takes inspiration from the Prophet Isaiah of Michelangelo’s Sistine Chapel, and shows his appreciation for European art. Additionally, the Post cover significantly popularized the role of Rosie. Mr. Rockwell later apologized to his model, the pretty and petite 19-year-old Mary Doyle Keefe, a part-time telephone operator from Vermont, for the transformation, which he explained was to convey a strong, inspirational larger-than-life figure. Ms. Keefe, delighted to be part of history, often participated in museum events and later appeared at the sale of the painting at Sotheby’s in 2002, when it sold for $4.9 million.
Mary Doyle Keefe, circa 1943, via ctpublic.org
Via Wiki
Via Wiki
Though the occasional critic derided Mr. Rockwell for idealizing American life, particularly as the appeal of abstract art grew, he was nonplussed, “Without thinking too much about it in specific terms, I was showing the America I knew and observed to others who might not have noticed.” (Christies.com) If we scroll through our iPhone photos or look back at snapshots, there are captures of some perfect moments that may have passed our notice. Rather than idealizing life, Mr. Rockwell keenly observed the good. “Stockbridge Main Street at Christmas” exemplifies how Norman Rockwell was inspired by life around him.
Fans like Steven Speilberg, originally from Haddonfield, NJ, and George Lucas, who surely wishes he were from New Jersey, admire Mr. Rockwell’s narrative paintings as “cinematic”. Both have purchased numerous works of the artist over the years, and share these in an exhibition “Telling Stories” at the Smithsonian Museum.
Some may not know that Norma Rockwell taught in a correspondence school for commercial art, which predated email and Zoom. Founded in Westport, Connecticut, by illustrator Albert Dorne in 1945, the Famous Artists School (FAS) offered home study with lessons designed by the respective “famous artists” to help returning GIs find work in the field of commercial art. At its peak, the school had 50 instructors working onsite. Requests for Norman’s class outpaced others due to his fame and success. Lucky students enrolled in Mr. Rockwell’s class, though other experienced illustrators often critiqued submitted work as was standard in those schools. (FAS attracted some famous students of the day including actors Tony Curtis and Charlton Heston, as well as singers Dinah Shore and Pat Boone.) Artist Jim Stafford was on a correspondence course with acquaintances of Norman Rockwell’s, and later, as a young soldier, Jim wrote to Norman and asked if he might visit him at his Stockbridge studio. After receiving an invitation, Jim and a friend went the studio, where Norman cast Jim as the window washer for a 1960 Post cover. In a paternal gesture, Mr. Rockwell tried to set Jim up with the model for the stenographer, but the real-life Jim was not as bold as his character. He did, however, appreciate that Norman critiqued the art that he brought.
Via saturdayeveningpost.com with an interesting article title to accompany the illustration
A fun fact is that Norman owned several dogs, which kept him company at his studio. A Collie dog named “Raleigh Rockwell,” who appeared on numerous Saturday Evening Post covers, was special. An account from “Dogs Society” shares that Raleigh so adored Norman that when his owner-pal was away in Europe once on business, Raleigh refused to eat and started to fade. His health deteriorating, Raleigh’s whiskers drooped and turned white. When Norman returned, he hand-fed Raleigh until he was well and promised never to leave him again if his whiskers returned to their natural color. Raleigh’s whiskers changed within a few weeks, and Norman kept his promise.
“Making Friends,”1929, with Raleigh via saturdayeveningpost.com
Enjoy Norman Rockwell’s heartwarming holiday themed paintings in “Home for the Holidays” through February 25th at the Norman Rockwell Museum, Stockbridge, just a short drive from Main Street. Other exhibitions include “Anita Kunz: Original Sisters Portraits of Tenacity and Courage,” “Illustrators of Light: Rockwell, Wyeth, and Parrish from the Edison Mazda Collection,” “Norman Rockwell: Illustrating Humor,” and more.
The striking Stockbridge Naumkeag, named after the Naumkeag tribe, an Eastern Algonquin-speaking people, is a Gilded Age cottage. The mansion is on the National Register of Historic Places, and the entire estate is a National Historic Landmark District. The former is the work of the renowned architect Stanford White of McKim, White, & Mead, who built the country retreat for prominent lawyer Joseph Hodges Choate, who helped found the Metropolitan Museum of Art, and his wife Caroline Dutcher Sterling Choate, a proponent of women’s education who co-founded the Brearley School and Barnard College. In non-architectural terms, Naumkeag looks like a fairy tale cottage that morphed into a mansion while keeping its charm. With thoughts of spring, when Naumkeag reopens in May, the grounds include beautiful gardens, notably the Rose Garden, the Afternoon Garden, and the Chinese Garden, designed by Fletcher Steele, and summer brings Tanglewood to nearby Lenox.
Magical welcome at “Winterlights”
Stunning library with live music
Beautiful menorah
Wishing trees 🕊️✨
Norman Rockwell celebrated at the Doctor Sax House (hotel) in nearby Lenox
Doctor Sax House, Lenox, 1874, and dulu Cafe & Lounge
Holiday cheer at Michael’s Restaurant, Stockbridge
The Lost Lamb (from an October visit)
Santa welcomes customers at Tiffany’s Cafe & Market
Since all roads lead to New Jersey, a revisit to a Rockwell gem at the Nassau Inn, not far from the Arts Council of Princeton, also noted in ”Frankly Norman,” is a must:
Partial view of the Rockwell mural “Yankee Doodle Dandy,” not quite the Three Kings, but still weaving it in, from the Yankee Doodle Tap Room, Nassau Inn, dating back to 1769; rebuilt in 1938. Mentioned in F. Scott Fitzgerald’s This Side of Paradise, a fun reminder from Wiki
Beautiful Christmas tree at Palmer Square
Three hundred and fifty-four sleeps till Christmas
Never too early to mention that “Stockbridge Main Street at Christmas” festivities are December 6th-7th in 2025 with more details about weekend events via the Stockbridge Chamber of Commerce. No matter what the weather brings, visitors will receive a warm welcome and be in good company.
“Deep in their roots, all flowers keep the light.” Theodore Roethke
Wandering under sunlit cherry blossoms is the hallmark of spring’s “Cherry Blossomland” in Branch Brook Park and one of life’s great pleasures. The dance of spring in the blossoms, tremulous and dainty in the breeze, signals the end of winter as much as the arrival of the blooms. So delicate, the white blossoms look like snowflakes on branches, spring having pranked winter with miraculous perseverance. On Easter Sunday, in a harmonious convergence with Purim and Ramadan, and the festive afterglow of Holi, families, couples, photographers, and worldwide visitors strolled throughout the nearly four-mile park. All were smiling, most grinning, blissed out by the breathtaking beauty and the great gift of enjoying life fully again.
Dancing snowflakes Exquisite blossoms
Wonderful year-round, the park’s atmosphere is especially so in the spring. The park is a blossom-lover’s dream with all types of cherry trees: single blossom, double blossom, and weeping. Though selfies are the fashion, part of the fun in cherry blossom season is trading iPhones and cameras to capture happy moments. Young auteurs giving directions while photographing their parents were charming, even holding up hands for “framing” on this and an earlier visit. One, about 5 or 6, was reluctant to return the phone to parental amateurs in a hilarious and affectionate back and forth. Stay long enough, or better yet, visit often, and experience the second flowering of Branch Brook Park: blushing brides before blooms, proud young adults in caps and gowns, adorable children dressed for First Communion, lovely girls in Quince dresses, graceful women in saris and salwar kameez, and smartly dressed families in their holiday best, all posing in blossom-laden photos as everyone passes through the park with a rhythm that mirrors the flow of the Branch Brook after which it takes its name. Those dedicated to the park like the Branch Brook Park Alliance know how a shared love of beauty can bring people together.
Weeping cherry blossom tree
Branch Brook Park in spring reflects the worldwide celebration of the blooms. Japanese cherry blossom festivals honor each stage of the blossom, which is reflective of life’s rites of passage with a reverence for nature that is intertwined with both Shintoism and Bhuddism. “Sakura” means not only “cherry blossom,” but symbolizes renewal. The blossoms’ brief bloom is bittersweet, reminding admirers to appreciate the fleeting flowering beauty and nature’s imperfection. How this philosophy of “wabi-sabi” (greatly condensed), which is from Zen Buddhism, manifests itself in everyday life in Japan is that family, friends, students, and co-workers gather in the tradition of “hanami,” which means flower-viewing, or what Americans might call picnicking, to appreciate the blossoms. In Japan, school begins in April and collective childhood back-to-school memories are replete with falling petals much like many Americans associate crunching leaves with the start of school. Hanami in Branch Brook Park translates into the annual “Bloomfest” and a new Cherry Blossom Welcome Center that is scheduled to open this fall.
Pink and white blossom confection
Olmsted and Branch Brook Park history
A map of the L-shaped park of 360 acres shows its three main sections, the North, Middle, and the South with a picturesque extension in Belleville, which makes the park nearly four miles long. Branch Brook is a tributary of the Passaic River and the park includes a reservoir, a lake, ponds, streams, and the Second River in the Belleville extension. With the liveliness of the present-day park, it seems hard to believe that it is the oldest county park in the country.
Branch Brook Park reflects a history of generosity. Civil War volunteers trained in what was Camp Frelinghuysen on the former land of the Newark Aqueduct Board. The Ballantine Family gifted 32 acres, Z.M. Keene, William A. Righter, and Messrs. Heller, collectively, 50 acres, and the Newark Common Council, 60 acres. In 1924, Harmon Washington Hendricks, an industrialist from a prominent philanthropic Jewish family which dates back to the late 1700’s, bequeathed his family home and the 23 acres along the Second River, the former site of the Hendricks Copper Mill. The adjacent Hendricks Field Golf Course, upgraded in 2018, also has cherry trees.
Regarding the park design, requested by the Newark Park Commission, Frederick Law Olmsted, Sr. and Calvert Vaux, well-known for Central Park (1858), envisioned a bucolic Branch Brook Park (1867) with their trademark naturalism that includes extensive rolling hills, stately tree clusters, waterways, and inviting paths. Landscape architects John Bogart and Nathan F. Barrett designed a plan with an ornamental or “romantic” style (1895), but it was the Olmsted Brothers, Frederick Law Olmsted, Jr., and his half-brother, John Charles Olmsted, who created the park keeping the garden-like style of Bogart and Barrett around the reservoir.
The cherry blossoms adorn the design. Branch Brook Park boasts the largest collection of cherry blossoms in the country, though the picturesque spring wonder of Washington, DC’s Tidal Basin, a gift of cherry trees from Japan in 1912, receives an applause-worthy note as do the cherry blossoms at the Brooklyn Botanic Garden. In 1927, Caroline Bamberger Fuld, who was the daughter of Jewish immigrants from Germany, brought 2,000-2,050 cherry trees of many varieties from Japan. A lovely detail of this story is that she nurtured the cherry blossom trees on her own nearby Orange, New Jersey estate to ensure their survival before having them planted in the park.
Caroline Bamberger Fuld (Photo: Jewish Women’s Archive) A magnificent gift 🌸
Caroline was the sister of Bamberger and Co. department store founder Louis Bamberger and the wife of Felix Fuld, another founder. After Felix passed away in January 1929, Louis sold the business to R.H. Macy & Co. a few months before the stock market crash. (Louis Bamberger gave the company’s 236 long-term employees, or “co-workers” as he called them, $1 million after the sale. Ideal bosses, he and Felix Fuld provided on-site health care, a cafeteria, a music club, a library, and classes offered through Rutgers University.) After her husband’s death, Ms. Fuld, along with Louis, carried on her husband’s generosity. Both Caroline and Louis are known today for co-founding the Institute for Advanced Study in Princeton, which created a place for independent thought and research and gave new lives to many Jewish mathematicians in the 1930’s who needed to leave Europe.
Visual poetry
The original 2,000+ gift of Ms. Fuld has increased to approximately 5,200 (some sources note more) with 18 varieties with the help of the Alliance and Essex County Parks and Recreation, both of which have added more trees, preserved trees, and restored historical and architectural treasures. Various sources note that not only does the park have the most blossoming cherry trees in the country, but the greatest variety. Regarding the undertaking of planting the initial trees from Ms. Fuld, the National Park Service credits the Olmsted Brothers with returning and giving the trees a tiered-slope placement so park-goers could appreciate the blooms more completely. For those who prefer an immersive cherry blossom experience, the Belleville extension has the most densely planted blooms, which is also a wondrous experience for enjoying the light fragrance. A note here to underscore the park signs which have increasingly larger letters each year; please do not touch the trees so others may enjoy their beauty.
Architectural details
As Branch Brook Park Alliance notes, most of the “centennial” structures, those over 100 years old, are the work of the distinguished Carrere and Hastings, the most notable being the Beaux-arts Ballantine Gate, 1898. (The gates lead to the also noteworthy architecture of the Forest Hills section of Newark, where Newark Porchfest brings fun and music each fall.) There are also some Art Deco gems and the distinctive lion sculptures by Karl Bitter at the reservoir. The lions, donated by the Prudential Insurance Company from their former office building, are nicknamed “Art” and “Pat” after former Prudential CEO Art Ryan and his wife Pat, also park supporters. Prudential arranged for the planting of twenty-four cherry trees as a memorial to Kiyofumi Sakaguchi. Other elegant tributes include the Patricia A. Chambers Cherry Grove, the Althea Gibson Tennis Center and statue by Thomas Jay Warren, the Roberto Clemente Fields and statue, a Felix Mendelssohn bust, a prize won by the United Singers of Newark in 1903, and a bust of Frederick Law Olmsted, also by Thomas Jay Warren, to note a few. While setting out to write about cherry blossoms, this has turned to a reflection on generosity, which are essentially one and the same in Branch Brook Park.
Beaux-arts Ballantine Gates by Carrere, 1898, and Hastings, restored by Essex County Restoration and Open Space Fund (2020) Art Deco Bridge, Belleville extension (2016) Blooms and Art Deco BridgeOne of the two 7-foot-tall limestone Prudential lions, 1901, by sculptor Karl Bitter at the reservoir with the Cathedral Basilica of the Sacred Heart in the background (2018) Althea Gibson by Thomas Jay Warren (2018)Althea Gibson Tennis Center, which looks like a Tiffany window (2016). Louis Comfort Tiffany, a name appearing at the Newark Museum of Art, went to school and trained early on as a painter in NJ, another case for the maxim “all roads lead to New Jersey”. Roberto Clemente statue by Roberto Clemente Field, Lake Street and Bloomfield Avenue, 2012, by Susan Wagner, a slightly smaller scale version (8 feet) of her Clemente statue at PNC Park in Pittsburgh. Made possible through private donors, Verizon, and PSE&G. Erie Bridge (2014)Frederick Law Olmsted bust at the reservoir (2022)
Peak blooms are usually between the second and third weeks of April which means a welcome return trip for fans of the wonderful Newark St. Patrick’s Day Parade. For blossom viewing, driving is an option to see these sights and the blossoms, though there are wheelchair-friendly trails. Light rail lines and buses also travel to the park. For the definitive history of Branch Brook Park, please visit the Alliance. Other park features include the Prudential Concert Grove near the lions and reservoir, a roller skating rink and basketball courts near the cathedral basilica, baseball fields, bocce courts, which will return when the new center opens, a playground in the Belleville extension (“excellent” as rated by peals of laughter) and the Alliance’s cherry blossom live cam for anyone who cannot make the trip (yet) along with their Bloomwatch, which is also informative about the variety of cherry blossom blooms, on social media. Though the Rutgers Master Gardeners and many other organizations volunteer to help keep the park beautiful, the Alliance always welcomes more volunteers.
Pathway in Southern Division by the cathedral (2022 in this section) Lake in Southern Division by Roller Rink Beautiful rainbow
Cathedral Basilica of the
Sacred Heart
Standing majestically on the park’s horizon is the Cathedral Basilica of the Sacred Heart, graceful with its French Gothic Revival style (1898-1954). Both a National and a New Jersey Historic Site, the fifth largest cathedral in the nation is approximately 45,000 square feet, about the size of Westminster Abbey in London, and draws tourists as well as parishioners for its beautiful architecture. In 1995, Pope John Paul II conferred the title of “minor basilica” upon the cathedral, the highest recognition given to a cathedral with special significance.
Cathedral Basilica of the Sacred Heart (2022)(2022)
Viewing the cathedral and the cherry blossoms was one of our early family traditions as Vailsburg, Newark residents, which brings to mind one special person among many, our grandmother, remembered in “Arriving Home to Sweetness”. Another early memory was seeing the first spring light shining through a window while hearing the voice of Newark’s Sarah Vaughan* from the records of “The Divine One” played often by our father fan. Newarker Whitney Houston was the great vocal artist of my generation, recalled in a visit to the former Grammy Museum at the Prudential Center, which is still home to the New Jersey Devils and the Seton Hall Pirates. The Newark Museum of Art, with its incredible collection, the New Jersey Performing Arts Center (NJPAC), which now hosts the annual Sarah Vaughan Vocal Competition, and the Newark Library, which is a beautiful building and an excellent research resource, are also nearby.
New Jersey Center for the Performing Arts “The Cuppah” by Gianni Toso, Newark Museum of Art Beaux-art, Tiffany & Co. , 1900, Newark. Belonged to the [Thomas and Mina] Edison, West Orange. An appreciative Martin Brodeur in “The Salute” to fans, 2015, by Jon Krawczyk outside Prudential Center (2019). The statue’s stand contains a fans’ time capsule of Brodeur memorabilia. Partial view of the magnificent “The Mural,” 2007, by ambidextrous sports artist Tom Mosser. Commissioned by the NJ Devils, at 200’ x 30′ it is one of the largest indoor sports mural in the country. Pictured here are Martin Brodeur, Ritchie Regan, and boxers among many celebrated state athletes and icons. Left to right: Ken Daneyko, Tony Meola, Terry Dehere, Althea Gibson
Note: News 12 New Jersey recently reported that Newark artists Rorshachbrand, Robert Ramone and Andre Leon, have created a new, beautiful mural honoring Newark and New Jersey musical artists that will inspire performers as they take the stage at the Prudential Center.
The 22-foot stainless steel “Stanley” aka “The Iron Man” by NJ Devils fan Jon Krawczyk stands in Championship Plaza behind the Pru Center. Children enjoy sitting and playing on his foot and hockey stick in what has become a popular selfie station/photo stop. The artist drove this and “The Salute” across the country from his California studio.Newark Library (2015) which has beautiful murals
Nature’s poetry
Central Park has a plaque with the Theodore Roethke quote note above, “Deep within their roots, all flowers keep the light,” which came up when researching it. (This calls for a visit to another Olmsted gem: “Central Park: A Template of Beauty”.) The renowned poet, who inspired generations of poets, felt a deep connection with nature from the time spent with his father in the elder’s greenhouse workplace where young Theodore observed the nurturing of beauty. After experiencing family tragedies at 14, Theodore struggled, as many young people have following the pandemic, but later found his way by writing poetry. Thematic in his work is the belief that nature has a soul, perhaps being interconnected with his own. Poet Roethke’s view of nature as holding spiritual truth complements the essence of a traditional blossom festival.
A walk in the park with nature’s beauty, fresh air, and a stretch can often make cares drift away like petals on the stream. Nature is a gift, no more so than in spring, when flowers bring joy. In the absence of the poet, deferring here to blossom eloquence.
Looking up in Branch Brook Park (2022)
* (No YouTube ad, hopefully; if so, worth the wait for “I’ve Got the World on a String”.)
Celebrate summer and every new day out at the State Fair Meadowlands with its welcome return. Rainbow colors, catchy pop tunes, the whirring of rides, and shrieks of delight – the fair produced by State Fair Event Management is the launch of summer fun.
Perhaps it is true to form that a fair in New Jersey is on pavement as opposed to being in a cornfield, but a magical transformation delivers both an amusement park and a Garden State country fair with face painting, a petting zoo, pig races, high dives, music (not just live music, but great bands), magic shows, and a renowned hypnotist’s act that has most out-of-staters leaving saying, “Where’s the nearest jughandle so we can turn around and do it all again?” As part of the Meadowlands dynamic, helicopter rides take the place of the traditional hot air balloon ones. The location also gives excellent accessibility, so everyone can attend.
Floating over Root Beer Floats on the Sky Ride ✨
Following so many pairs of tiny hands in big, wandering fairgoers will first encounter a cornucopia of booths with every imagined fair food favorite from cotton candy to tropical smoothies to gyros to empanadillas. (If you’re dieting, wear blinders and track shoes, or better yet, treat your loved ones.) The serene Sky Ride gives fairgoers an overview and #instagreat photos that meet classic thrill rides like the Polar Express with scares galore in the Haunted Mansion. Candy colored kiddie rides are rivaled only by the Petting Zoo. Though scaled back a bit this year, the zoo still provides enough kid to kid excitement with goats and barnyard friends to elicit happy dances from small children. The fun of rides is only part of the “feel good” atmosphere that makes this one of my favorite events in the state. Adding to the daily fair excitement are the Fourth of July fireworks on July 3rd and 4th.
Cotton Candy and Candy Apples 🍎 The popular Taino’s on Wheels
Young Artists
Did you know that you would meet young artists at the fair? Portraiture is the new selfie, proving that everything old is new again, and fairgoers will have the pleasure of experiencing charm in person with no signal dropping. Remember making conversation? New friends will be met at the fair.
Thank you to these young artists. 🎨🌟
Travel Tidbits
To mask or not to mask? Candidly, not many wore masks on this year’s visit, but you can wear one without feeling out of place. If you are concerned, consider going early when it is easier to social distance. Everyone and everything, however, must pass through a metal detector at the entrance. Thank you to security for keeping each and every person safe. Thanks, too, to the amazing professionals calling out to come enjoy the rides and play games, whatever the weather, whatever the crowd, and to those who posed for photos taking it in faith that they were asked for those in good faith.
All smiles at the fun basketball toss at Cully’s Enterprises The delightful Ring a Duck The dynamic duo at the Balloon Game 🎈
Tickets for the fair, June 18th through July 11th, must be purchased online and a barcode downloaded for each instead of printing. A Pay One Price Fun Pass includes free admission, free shows and unlimited rides with some exceptions, and free parking. A Fast Pass, available only at the fair, entitles ticketholders to upgrade tickets and skip the lines for some rides. Children under three feet are free, a generous tradition.
Pikachu and Scooby-Doo 🐾
As for souvenirs, the memories to take back into the workaday world are beyond compare. The fair magician conjures up children’s smiles, peals of laughter, and marvel, shared harmoniously by one and all. With this beautiful weather, what could be better than to rejoin family and friends in fun? With feet on the ground, but hearts in the air, let’s say to each other, “We’ll meet at the fair”.
Charming Kiddie Rides The Haunted Mansion Toy Box Mania The popular Seven Seas The All American High Dive 💦Fun @ The Crazy Outback
(Sources: David Bernenbaum, screenwriter for “Elf”, for the opening quote and State Fair Events Management/State Fair Meadowlands)
“There is nothing more truly artistic than to love people.” Vincent Van Gogh
The National Arts Clubearns a renown for its impressive art, engaging events, and a National Historic Landmark home in Gramercy Park, but its true vibrancy comes from its members. The Club members celebrate, promote, and educate others about the “visual arts, literature, film, architecture, fashion, photography and music” in the warm way of passing along a book that is too good not to share.
“White Roses,” 1914, Philip Leslie Hale
The Club that helps keep the arts alive in the city began in 1898 with Charles Augustus de Kay, the art and literary critic for The New York Times. Mr. de Kay’s goal was to look to American artists for inspiration rather than European, which was traditional at the time, and to encourage public interest in the arts and education in fine arts. With the help of philanthropist Spencer Trask, Mr. de Kay and fellow founding members like Henry Frick purchased the Victorian Gothic Revival mansion of Samuel J. Tilden, 25th governor of New York, for the Club. Governor Tilden, who ended New York City corruption, most notably that of Tammany Hall, had bequeathed his fortune for a citywide New York Public Library. His stately home at 15 Gramercy Park South in the Gramercy Park Historic District was formerly two brownstones joined by a sandstone façade designed by Calvert Vaux, co-creator of Central Park. For the mansion’s exterior, Mr. Vaux used the Aesthetic Movement style that emphasized bringing beauty into all aspects of life, making it the ideal home for the Club. In a 2008 restoration, New York City-Brazilian artist Sergio Rosetti Morosini, active in the conservation of the city’s landmarks, added a bust of Michelangelo above the Club’s entrance. The interior includes magnificent stained-glass panels by artist John LaFarge, who had a studio in Greenwich Village, and a stained-glass dome by Scottish-born artisan Donald McDonald.
“Joyce Carol Oates,” NAC Medal recipient
The building is so elegant and distinctive that filmmakers and television producers have requested it for works like “The Age of Innocence,” “The Manhattan Murder Mystery,” “The Thomas Crown Affair” (1999), “The Marvelous Mrs. Maisel,” “Billions,” “Gotham,” “Jimmy Choo,” and “Boardwalk Empire”. Even more distinctive is the welcoming of women as members since the Club’s 1898 founding. Historical name dropping of former members includes artistic greats like painters Cecilia Beaux, Frederic Remington, William Merritt Chase, George Bellows, Chen Chi and sculptors Anna Hyatt Huntington, Robert Henri, Daniel Chester French, and Augustus Saint-Gaudens.
Portrait by Ernest Ludvig Ipsen
With such names, one might mistake the Club as being pretentious, but members are there to share a genuine love of the arts. Crossing the threshold means receiving a friendly greeting not only from other members but long-time staff. The atmosphere is lively for the sociable and serene for artists at work. Dining amidst beautiful artworks, resuming again Tuesday with safety protocols, is another opportunity to connect. Lectures and events cover topics including art, fashion, fragrances, cuisine, dance and movement, film screenings, and concerts featuring jazz, classical, and contemporary music. In the past year, the Club has celebrated its fun traditions virtually with events like this month’s Bonnet Bash hat contest, the holiday concert with the Gramercy Brass Orchestra, the Halloween Gala, and Open House New York.
Membership includes worldwide access to other clubs. Additional membership perks allow access to meeting and event rooms, overnight accommodation, and Gramercy Park, the last private park in Manhattan, all the more relaxing for restricting photography.
A portrait room
Important traditions recognize lifelong contributors to the arts with the National Arts Club Medal and encourage new playwrights with the Kesselring Prize for Playwrighting. Medal recipients, whose portraits adorn the walls, include Anna Sui, Joyce Carol Oates, Frederica von Stade, Patricia Field, Claire Bloom, Ellen Burstyn, Toni Morrison, Nadine Gordimer, Lin Manuel-Miranda, John Turturro, Itzhak Perlman, Ang Lee, Salman Rushdie, Spike Lee, I.M. Pei, Tom Wolfe, Frank McCourt, W.H. Auden, Saul Bellow, Tennessee Williams, Roy Lichtenstein, Philip Roth, Mark Twain, Downing Vaux, Calvert’s son, and more. The Kesselring Prize awarded in honor of Joseph Kesselring, best known for writing “Arsenic and Old Lace,” presently honors playwright Mona Mansour. Selected new artists receive support as Artist Fellows which gives them a membership for one year to enhance their careers.
Portrait room close-up“Gordon Parks,” 1971, by Gloria Swanson
The National Arts Club has carried on gracefully during this past year underscoring the importance of the uplifting to inspire and connect us. Artists, too, are visionaries, who give us pause to reflect. In a place where a love of art, life, people, and the city all flow together, this nonprofit’s extraordinary and newly renovated galleries are free and open to the public daily, 10 a.m. to 5:00 p.m. with reservations presently for safety. Additionally, gallery spaces are available for non-members. (Note: On view as of early 2022: “Art of the Abstract Mark,” Libbie Marks’ collage paintings, the “Will Barnet Student Show,” which welcomes new young artists, “Consequences: A Parlor Game,” which showcases the work of the National Academicians of 2021, and “A Century of American Landscape Art,” some landscape “treasures” from the Club’s permanent collection of more than 600 works of art.) Enjoy exhibition updates and Club news on Instagram, Twitter, and Facebook, which offers a virtual tour, also available on the NAC website.
“Benny Goodman,” NAC Medal recipient, by fellow medalist and Club member Everett Raymond Kinstler
While living in the city, I had the pleasure of being an affiliate member for a time through an alumnae group, which was an incredible experience. Later, I attended the most welcoming and cordial reception and tour, which included a view of The Players club for the performing arts next door, through another alumni association. A delightful lecture from curators from The Clark Art Institute and French National Heritage for the exhibition “Women in Paris, 1850-1900” marked the occasion of another memorable stop.
“Some Little Talk of Me and Thee There Was,” 1905-1909, by Harry Willson Watrous
On my most recent visit, which fell on Valentine’s Day of last year right before the pandemic began, the Media/Marketing Communications director kindly gave two talented British travel and cuisine writers and myself a morning tour. Such fans of New York City, the couple was here to celebrate his birthday. Having seen a number of the inspirational city sights on other trips, they asked me about a unique and wonderful New York City experience for which the only answer was, “The National Arts Club.” On every visit, I am thrilled by being in the company of people who also value what I love.
Valentine’s Day 2020 was a day of kindnesses, so in keeping with the true nature of the city. Though this valentine meandered en route for a while, it still arrives heartfelt.
(Sources: NAC website and social media, onthesetofnewyork,com,
saxonhenry.com (member), the artstory.org, ny.curbed.com, tripadvisor.com, goodreads.com,
Wiki)
Partial view of the Club’s historic brownstone home (2017) John La Farge stained glass Angelina Jolie portrait Fun on cue Lee O. Lawrie sculpture John La Farge stained glass panels
“I don’t think Christmas is necessarily about things. It’s about being good to one another.” Carrie Fisher
A slightly curving panoramic shot to capture this 8 foot long painting at the Norman Rockwell Museum
At Christmastime, Norman Rockwell’s “Home for Christmas (Stockbridge Main Street Christmas),” which perfectly captures Christmas joy, comes to life the first Sunday of December with a living recreation of the painting which is now on view locally at the Norman Rockwell Museum – Home of American Illustration Art. “Gilmore Girl” fans will recognize the tradition of tableau vivant from “The Festival of Living Art” with Stockbridge’s delightful, real-life atmosphere outdoing even the charm of Stars Hollow. In a festive tweaking, the historic Red Lion Inn from the painting, now open in winter, twinkles with lights and features harmonizing carolers on the porch. Passers-by join in song with the same delight of the Berkshires proud who cheer at the words “from Stockbridge to Boston” from “Sweet Baby James” performed by their neighbor James Taylor in his summer visits to Tanglewood. Holiday concerts fill the churches and halls while both residents and visitors stroll along Main Street, closed to traffic for a few hours, each person truly part of the holiday canvas in this highlight among a weekend of events.
“Home for Christmas” and The Red Lion Inn A real-life detail from “Home for Christmas” A Bay State classic
Everyone from our proud veteran bus driver to the carriage drivers who smiled for the camera three times while visitors like us got photos in motion right was wonderful. The vintage car owners meet up year after year, welcoming honored new ones into the fold with a neighborly rapport. Filled with goodwill, part Stockbridge, part Rockwell, strangers offer to take photos for each other and talk about their affection for the town and their favorite Rockwell paintings as if they, too, were coming home. So warm and wonderful is the atmosphere that when looking up the photos, I had forgotten that it had rained that day just two years ago.
Beautiful detail from The Red Lion InnPopular carriage rides
Though the live event did not take place this year, the good news is that a virtual version and seasonal events are online through December 31st to plan ahead for next year. Even better news, Stockbridge is open and welcoming friends in a safe way via the Stockbridge Chamber of Commerce. The Norman Rockwell museum offers a train set replica of the painting along with the incredible art collection, both viewed on a timed schedule. Enjoy reading about one summer visit and the profile of the self-defined “illustrator” via “Frankly Norman: A Sketch” with a surprise guest. (Hint: The Hoboken, New Jersey guest’s “Christmas with the Rat Pack” had a unique holiday spin.) Fun tidbits are that Mr. Rockwell’s first Stockbridge studio was above the supermarket in “Home for Christmas” and his models, like Pop Fredericks who portrayed Santa in the artist’s “storytelling” and at events, were often his neighbors
“Couple Dancing Under Mistletoe,” 1928, from Norman Rockwell’s Charles Dickens series for “The Saturday Evening Post”The Norman Rockwell Museum – Home of American Illustration Art“Golden Rule,” 1961, at the Norman Rockwell Museum
Enjoy, too, the otherworldly beauty of “Winterlights” and Christmas trees at the McKim, Mead & White architectural gem Naumkeag, nearby Lenox’s virtual “A Christmas Carol” at the Gilded Age Ventfort Hall, and “NightWood” the outdoor “sound, light, and color” show at Edith Wharton’s home, all through late December – early January. With our renewed appreciation of nature, the Berkshire Landkeepers have ideas for taking in the woodland beauty. A Stockbridge Virtual Arts & Crafts Show, Gingerbread House Contest, and Hometown Christmas Light-Up Contest keep the season festive. Though the shops along Main Street offer everything from tech to nostalgia, the bow on top is the Stockbridge holiday spirit.
Stockbridge Fire Department Carolers at The Red Lion Inn Santa at the wheel Naumkeag Christmas tree Naumkeag holiday wishing trees Naumkeag Christmas tree Stockbridge Bowl Lake Tanglewood entrance, Lenox A snowy Tanglewood Tanglewood Downtown Lenox De Vries Fine Art, Lenox Shots Cafe, Lenox Snowy, scenic Lenox Merry & bright, Schots Cafe Sweet tree at Cramwell, a former resort, now a spaGreat Barrington Holiday cheer in Great Barrington A view to spring with Norman Rockwell’s “Spring Flowers,” 1969 (WikiArt)
The most expensive piece of real estate that we may own is sweetness. As fortunate as we all may be while navigating through life, it would be far easier to let go of a quality that exudes vulnerability. Sweetness is usually not provoking, quite the contrary, but it may be catnip to some in this month of mischief. Like consideration or politeness, a kind disposition may come across as weakness to the wrong people. They see it as an invitation of an unsociable kind.
One may contemplate a life where sweetness goes underground, which could stir a Hallmark-ian imagination to think of hidden acts of charm. On the road, however, we see sweetness all the time: a father drives his dirt bike down a long driveway in South Jersey to get the mail which prompts whoops of glee with the hit of every bump from his toddler son who sits in his lap; a woman places dozens of small flags on a town hall lawn against a dewy sunrise downashore for Veterans Day unaware of passers-by; a mother alongside the Carranza Memorial in the heart of the Pinelands shares the story of the heroic aviator Captain Emilio Carranza with her daughters. Current examples come to mind: families and pets 🐾 don costumes in town-and-city proud Halloween parades, a mother listens to her child play the flute on a family farm as they keep each other company during a pumpkin sale, and green-thumbed urbanites’ window boxes overflow with autumn rainbows of flowers New York City way.
The sweetest person whom I have known, and I am fortunate to know many, was our grandmother Helen, whose name meant “light”. Though she was exceedingly shy, people gravitated to her kindness and warmth. She was a five-star baker, a reflection of her Bavarian heritage, and the house we all lived in was full of the conversation and laughter of family and friends who often dropped in to visit at the cozy home by the firehouse in Vailsburg, Newark, where our grandfather was a firefighter before he retired. Despite having a large dining room table, we all gathered around the small Formica kitchen one. While the coffee brewed, the percolator often going haywire somehow, everyone gabbed in overlapping dialogue and non sequiturs like that fabulous family in “While You Were Sleeping,” taking leave only to sing songs around the player piano in the foyer. Casey had the girl with the strawberry curls, and our grandfather had his girl with her hazel green eyes.
Sweet sisters, Anna and Helen
When a kind reserve was once mistaken as hesitation when I was a child, someone remarked to me, “You’re spending too much time with your grandmother,” meaning that I was becoming like her. My thought was and is, “I hope so.” In the wayof the good having consideration over the bad in making life decisions, this is a roundabout avenue to arriving home to sweetness, no better place to be in this Anti-Bullying Month of October.
Our grandparents at our parents’ wedding at Sacred Heart Church, Vailsburg A dapper love Lifelong sweethearts
Cherry blossoms at nearby Branch Brook Park Photo taken before an NJ Devils’ game at the Prudential Center. The Grammy Museum entrance is alongside the building.
The museum opens with a dramatic entranceway filled with Grammy Awards through the decades. Visitors then enjoy a photo profile timeline of the Grammy Awards highlights since the start in 1958 with performing artists like Lady Gaga, Tony Bennett, Bruno Mars, Frank Sinatra, Miles Davis, Dean Martin, Sammy Davis, Jr., Elvis Presley, and milestones like the founding of the Latin Recording Academy in 1997.
Tony Bennett and Lady Gaga. Lady Gaga, Stefani Angelina Germanotta, developed her material and onstage persona in Parsippany, NewJersey over the course of a year by commuting on buses to work with music producer Ron Fusari
There are also video interviews with singers like Halsey, from Edison, New Jersey and Ed Sheeran. Fun, interactive exhibits “Ray Charles and Raelettes” and two with Newark roots, “Drum with Max Weinberg” and “Wyclef Jean’s Rap Interactive,” are hits with children.
Halsey, Ashley Nicolette Frangipane Bruno Mars, Peter Gene Hernandez, sang in the Super Bowl XLVIII in the New Jersey Meadowlands, has a new hit with Cardi B.Max Weinberg interactive exhibit. Mr. Weinberg’s Jukebox Tour will make a stop in Woodbridge, New Jersey June 1st to celebrate the city’s 350th birthday
The art at the Prudential Center, known as “The Rock” from the Prudential Insurance Rock of Gibraltar logo, features sculptures as one enters the building: “The Salute,” honoring Martin Brodeur and “The Iron Man,” the latter on Championship Plaza, both by sculptor Jon Krawczyk, a New Jersey native and a Devils’ fan. Indoors is “The Mural,” the largest sports mural in the world by ambidextrous sports artist Tom Mosser from neighboring Pennsylvania, paying homage to New Jersey Devils Martin Brodeur, Ken Daneyko, and Scott Stevens. Commissioned by the NJ Devils, The Mural generously includes other Garden State greats in different sports like Althea Gibson, Richie Regan, Terry Dehere, Tony Meola, and iconic New Jersey landmarks: Newark’s Prudential Building, Barnegat Lighthouse, Atlantic City’s Steel Pier, and the dome of the state capitol. Mr. Mosser’s “Vintage Stadium Series” on Suite Level One, includes all four NJ Devils arenas in which the team has played. Additional works are by Samantha Wendell, Laurie Campbell, Michael Nighswonger, Dane Tilghman, Larry Ketchum, and Andy Bernstein.
“The Salute,” Martin Brodeur by Jon KrawczykPartial view of Tom Mosser’s “The Mural” with Althea Gibson, Martin Brodeur, and Richie ReganKen Daneyko, who played in the recent Mike Nichols Charity Hockey Game, by Tom Mosser. The Devils support many local, area, and national charities. “The Iron Man,” modeled after an NJ Devil, by Jon Krawczyk is on Championship Plaza by the Prudential Center.Children enjoy playing with their pal before games. The dazzling Iron Man is popular with Newark residents and visitors for photos and selfies.
New Jersey Legends
From the fourth smallest contiguous US state comes a remarkable amount of musical talent, reflected in the exhibition “New Jersey Legends”. The names are likely familiar: Jon Bon Jovi, Bruce Springsteen, the Jonas Brothers, Gloria Gaynor, Count Basie, Frank Sinatra, and Les Paul. Either they or their families have generously donated personal items from their careers for visitors to enjoy. There are also traveling photographic exhibits of Bruce Springsteen and Frank Sinatra via the Grammy Museum LA. The exhibit notes the Asbury Park dynamic with many New Jersey musicians.
Tal Farlow, jazz guitarist, left case, and South Johnny and the Asbury Jukes
Grammy winner Taylor Swift, from Reading, Pennsylvania, spent childhood summers in Stone Harbor at the Jersey Shore. Though Ms. Swift is not part of the New Jersey exhibit, a proud note for the state is that she spent childhood summers in Stone Harbor at the Jersey Shore. The museum featured her in an exhibit last year at this time.
Taylor Swift“The Jersey Boys” Broadway sensation based on The Four Seasons (Frankie Valli, Bob Gaudio, Tommy DeVito, and Mark Nassi) Kool and the Gang (Robert Bell, Ronald Bell, George Brown, Dennis Thomas, Charles Smith, Ricky West, Robert Mickens, original members) who tour with new membersJon Bon Jovi, who has started a business with his son, is recording a new album in Nashville. One of Count Basie’s Captain captain hats and his 1960 Grammy Award for the “Dance with Basie” album Les Paul’s medal from the National Inventors Hall of Fame, bestowed without the sneaker reflection. Mr. Paul was one of the inventors of the electric guitar, among other things, for which he also received a Grammy Award for technical achievement. Dress shoes of Frank SinatraSuit and sneakers from the red carpet donated by Nick Jonas, recently married to actress Priyanka Chopra. Nicki is also a member of the Jonas Brothers with Kevin and Joe, who just debuted a new single at Penn State University.
“Whitney!”
After writing these modest travel pieces for a few years, an impression is that for a legacy to continue, it is invaluable for the artist’s memory to have a home. Having a physical place for children to learn about the artist, inventor, or leader helps them connect through a shared experience like playing with a new interactive baseball exhibit at the nearby Yogi Berra Museum at Montclair State University, or reading about how Mr. Berra overcame bullying, which serves as an insight into his empathy for others. At their best, such visits not only inform but inspire.
With “Whitney!” at The Grammy Museum Experience, Whitney Elizabeth Houston’s legacy has found a home – at least through June of this year and hopefully longer. “The most awarded female artist of all time,” Ms. Houston remains “the only artist to have 7 consecutive U.S. #1 singles.” Known as “The Voice,” Whitney won six Grammy Awards, two Emmy Awards, 30 Billboard Music Awards, and 22 American Music Awards. Her second album “Whitney” debuted at No. 1 on the Billboard 200, the first female artist to do so. To this day, “The Bodyguard,” 1992, in which she co-starred with Kevin Costner, is the best-selling film soundtrack and “Waiting to Exhale,” 1995, is No. 8, reflecting the staying power of Ms. Houston’s talent. Whitney’s single “I Will Always Love You,” written by Dolly Parton, also a Grammy winner and Lifetime Achievement Award recipient, remains the No. 9 bestselling recording in the world. Even more significantly, Ms. Houston’s success in “The Bodyguard” opened the door for African-American women as leads in blockbuster films. The soundtrack of “The Preacher’s Wife,” wonderful to revisit in writing this, went platinum three times and was and still is a best-selling gospel album.
Whitney with her mother Emily “Cissy” Houston in front of New Hope Baptist Church, Newark
Whitney, now a member of the Grammy Hall of Fame, reached an achievement even beyond multi-gold and platinum records. According to Forbes, the Recording Industry Association of America recognizes 22 artists with “Diamond certification,” that is, two albums “that have shifted at least 10 million equivalent copies between pure sales and streaming”. Whitney is one of those artists whose debut “Whitney Houston” album and “The Bodyguard” each sold more than 10 million copies, 12 million and 11.8 million, respectively. During her career, Whitney sold over 170 million “albums, singles, and videos”. What is immeasurable is Ms. Houston’s artistic influence on singers like Jennifer Hudson, whose tribute is included in the exhibit, Beyonce, Lady Gaga, Alicia Keys, Christina Aguilera, Adele and those still to come.
On exhibit are performance and interview videos, album covers, costumes, and designer gowns from award shows and film premieres. Charming, eclectic things like the magazine covers from Whitney’s modeling days to the fairy godmother tiara that she wore in Disney’s televised “Cinderella,” all create a warm connection with the star for visitors.
An NAACP Image Award in the foreground and American Music Award (glass pinnacle), both for “Waiting to Exhale,” and the “Cinderella” tiara is on the upper shelf
Before Whitney’s red carpet experiences, her mother Emily “Cissy” Drinkard Houston, who led the New Hope Baptist Church Youth Inspirational Choir in Newark for decades, was a Grammy winner. Cissy was part of the Gospel singing group the Drinkard Four, later the Drinkard Singers. As a founder and member of Sweet Inspirations, Cissy was a session singer, a backup singer, or both for Aretha Franklin, Otis Redding, Jimi Hendrix, Van Morrison, Bette Midler, and Elvis Presley in addition to recording her own albums. Her nieces are Dionne and DeeDee Warwick and opera singer Leontyne Price is a distant cousin.
Cissy Houston’s Grammy Awards for her gospel albums “He Leadeth Me” and “Face to Face”
The Whitney Houston exhibit opened in October 2018 attended by her family, including her cousin Ms. Dionne Warwick. Ms. Warwick grew up in East Orange as did Whitney where both had the honor of having their former grammar schools named after them, the Whitney E. Houston Academy for Creative and Performing Arts and the Dionne Warwick Institute of Economics & Entrepreneurship, respectively.
The videos of Ms. Houston’s performances and interviews with producers who worked with her underscore her virtuosity. So gifted, Whitney sang her acclaimed 1991 rendition of the “Star-Spangled Banner” perfectly on the first take for Super Bowl XXV with a talent that surprised even the most experienced producers. Whitney, her arranger John L. Clayton, and anthem producer Rickey Minor slowed down the anthem from 3/4 time to 4/4, which increased the technical difficulty, but also made it more dramatic. This arrangement added to the anthem’s resonance in a time of heightened national security after the Gulf War. A few criticized Whitney for not singing the anthem live which she had done at a Nets-Lakers game, but the thought was that the cheering might not allow her to hear the first notes. Whitney did sing live, actually, though the microphone was off. An estimated 79.6 million people viewed her performance. Ms. Houston donated the proceeds of “the highest charting rendition of the national anthem on the Billboard 100 chart” to Gulf War veterans and their families.
Whitney supported many charitable organizations including her foundation. With her rendition of “A Song for You” at her “Welcome Home Heroes Concert” for those troops returning from the Gulf War, Whitney accomplished what every great singer does – each person in that audience believed that she was singing directly to him or her. We choose such songs for important life events, their words resonating with us. The songwriter Leon Russell, himself a Grammy winner, pitched it and Whitney hit it home as she did in her “One Moment in Time” video for the 1988 Summer Olympics in Seoul, South Korea.
Designer outfits and awardsThe Sports Emmy Award for her performance of “ One Moment in Time,” written by Albert Hammond and John Bettis
The Whitney Houston Foundation has generously shared personal items of the artist reflecting her start as a soloist at age 11 in the choir of the New Hope Baptist Church in Newark, the city of her birth. In the collection is her high school diploma. With such talent and natural teenage inclinations, Whitney reportedly was eager to start her career as soon as possible and took lessons throughout those years. In high school, I saw Whitney only in passing and make no claims of having known her except to write that before I heard about her singing, I was delighted to discover another tall girl at school. Whitney carried that height gracefully, and I remember a lovely, willowy girl who later blossomed into a beautiful woman. As it turned out, we both had spent our first years in Newark.
An absolute thrill was when the “How Will
I Know?” video came out. My former
classmates and I called each other (on landlines) in excitement. Years later,
we read that Whitney was not as happy with it, perhaps not having had the
creative control that she did once her career soared. Both the song and video deliver the charisma,
however, of a breakout star. Being world famous, Whitney’s career in music and
film were everywhere when I was living overseas.
A wise and long-time friend has shared the quote that people remain the same age for us as when we first met them. From Whitney’s amazing songbook, it would be difficult for any of us to choose a favorite, but “How Will I Know?” takes me back to the sweetness of the beginning.
You can experience the celebration of Ms. Houston, her fellow New Jersey artists, and other Grammy winners at the Prudential Center, Tuesday through Sunday, 11-6 and also find more information about Newark sights at the Greater Newark Convention & Visitors Bureau where you will receive another warm welcome.
One of the signed posters in the collection of performers at The RockThe Military Park Building with the Newark Visitors Bureau at Military Park Military Park Carousel A walk in nearby Branch Brook Park, envisioned by Frederick Law Olmsted and Calvert Vaux, designers of Central Park. Frederick’s son and stepson, the Olmsted Brothers, realized their vision. The Belleville part of the park also has a similar Central Park elegance.The center of Cherry Blossomland where (reserved) tours are availableThe harmonious design like Olmsted’s Central ParkThe Erie Railroad Bridge, 1932. In addition to bridges and fountains, the park also features a popular roller rink.Park patron Caroline Bamberger Fuld brought 2,050 cherry tree saplings from Japan in 1927 and nurtured them on the grounds of her estate in Orange until they were ready for planting in the park. Today there are 5,300 trees, the most in the United States.There are 14 varieties of cherry blossom trees in Branch Brook Park.The French Gothic Revival Cathedral Basilica of the Sacred Heart next to the park. There is a beautiful view of the basilica across the lake.A path under flowering branchesEvery shade of pink. There are three types of blossoming trees: single blossom, double blossom, and weeping cherries.Beautiful white blossoms with more at Branch Brook Park Alliance
