Writing New Jersey Life

People and places of New Jersey…with some travels.

Tag: #UShistory

“Courage: Paul Robeson”

 

Paul Robeson Center for the Arts, home of Arts Council of Princeton, designed by Michael Graves

In the New Jersey chapter of his legendary life, Paul Robeson, the son of a former slave, was born in Princeton.  His father, William Drew Robeson I, also an accomplished man, was the minister of Witherspoon Street Presbyterian Church for 21 years. Through the Underground Railroad, William had escaped from slavery at the age of 15, later serving in the Union Army as a laborer and graduating from Lincoln University with a Sacred Theology degree.  Paul’s mother, Maria Louisa Bustill, was of African-American, Native American, and Anglo-American descent and brought up in a well-known Quaker family of abolitionists.  One of her ancestors founded the Free African Society in Philadelphia in 1787.  Though Lincoln University accepted only men at the time, Maria and her sister received permission to attend classes, and Maria later taught and tutored in the Princeton community.

Tragically, when Paul was six, his mother died in an accident at home and shortly after the remaining Robesons, Paul, his father, and four siblings, moved to Westfield, also in Central New Jersey.  Unfortunately, differences of opinion about the direction of the Witherspoon Street Presbyterian Church, founded by what was the First Presbyterian Church, had also led to Minister Robeson’s move to another congregation, initially in Westfield and then in nearby Somerville, where the family settled.  Paul attended Somerville High School and then Rutgers University, 1915-1919, the only African-American at the time, the third in its history.  At Rutgers, he played four varsity sports, earned 15 varsity letters, won speech and debate competitions, and was a glee club soloist. Despite resistance from some football players, he was twice All-American, a member of the Phi Beta Kappa Society, the Cap and Skull Honor Society, and class valedictorian. He went on to receive a law degree from Columbia University while playing for the NFL.

Paul Robeson excelled at everything he did, which for an African-American man at the time was not always the blessing one might have hoped. Opportunity for him to practice law in New York City proved limited, so he developed his artistic talent as a singer and an actor, becoming a star of the stage and screen as well as a renowned concert artist.  Paul possessed a remarkable bass voice, which he described as a baritone. Of his versatile creative roles, concert performer allowed him the most artistic control. Over a remarkable life, the world citizen who was fluent in many languages lived in England and did travel the world. His compassion made him a lifelong advocate not only for civil rights but human rights through avenues of change that were available to him at the time. Paul Robeson was possibly the person whose view of the artist – through the roles they chose and the publicity they garnered – who created a template for our time of artists as people who bring attention to those who are suffering.

Today, the Arts Council of Princeton preserves Paul Robeson’s legacy as an artist in the Paul Robeson Center near his childhood home in addition to schools in his name throughout the state and the Newark Rutgers Campus Center.  For the Arts Council’s extensive classes, programs, exhibits, and events, visit: Arts Council of Princeton or @ArtsCouncilofPrinceton on Facebook and Instagram with Twitter updates @ArtsPrinceton Twitter.

The Robeson family home, once owned by the church, is now undergoing a renovation by the nonprofit The Paul Robeson House of Princeton.  Pictured also is the Paul Robeson Center, designed by Princeton architect Michael Graves.  Prominent sculptor Jacob Epstein created the bust of Paul Robeson that welcomes visitors.

(Sources: “The Moral Quandary of Heels” Copyright © 2013 All Rights Reserved Kathleen Helen Levey All Rights with additional notes from Lincoln.edu, Wiki)

 

“Fashion: Joyce Kilmer”

Campgaw Mountain, Mahwah, New Jersey

A New Brunswick native and world-renowned poet, Joyce Kilmer, 1886-1918, was married to fellow writer and Rutgers University graduate, Aline Murray, and lived happily and sociably with their five children in leafy Mahwah, the “meeting place” in Algonquin. They knew heartache with the grievous illness of one child, which led to their conversion to Roman Catholicism. A family man, he was exempt from duty in World War I, but enlisted, serving in military intelligence. Loyal, he turned down a commission to stay with his regiment, bravely volunteering to scout ahead on behalf of his men in No Man’s Land where he died from a sniper’s bullet at 31.

…critics sometimes dismiss Joyce Kilmer’s work as being too simple or sentimental, but he was a gifted intellectual, a Columbia University graduate who wrote in structured verse at the end of the Romantic Era. He died before modern poetry had found its voice — and he chose joy, which is not always fashionable. A one-time Latin teacher at Morristown High School and a contributor to The New York Times, both his intelligence and work ethic made him highly employable until his poetry became a success. His poems, many replete with New Jersey references, reflected a love of nature and God.  Inspired by looking in his own backyard, the lyric poem “Trees” from Trees and Other Poems (1914) became to American life what the birthday song was to the world, a legacy of celebration:

“Trees”

I think that I shall never see
A poem lovely as a tree.
A tree whose hungry mouth is prest
Against the earth’s sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who ultimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.

The poem was so popular that it was set to music, first by his mother Annie, a composer, and more popularly, in 1922 by another composer and pianist Oscar Rosbach. Princeton native and distinguished Rutgers University graduate, Paul Robeson, using his wonderful phrasing, recorded a popular version in 1938-9.

As we observe the 100th anniversary of the United States’ entry into World War I, we remember the sacrifices of those who served like Joyce Kilmer and their families.  Some were fortunate like our grandfather, a Newark native who was stationed stateside, others returned from overseas irretrievably changed emotionally and physically from trench warfare.  The WWI postcard is from our great-uncle who like Joyce Kilmer was stationed on the Western Front. Our uncle, a beloved brother and son, wrote to his family with great affection on these lifeline postcards.  He suffered from “gas and shell shock” meaning that he inhaled the poisonous gas thrown by enemy forces into the trenches and also suffered the “shock,” what we call PTSD “post traumatic stress disorder” today.  Unlike Joyce Kilmer, our uncle came back home.  He was still a gentle, kind man, but returned to a redefined life, fortunate in that he had family who loved him.

Incredibly, Joyce Kilmer still wrote poetry on the battlefront. Though most was in draft form, ‘A Blue Valentine,” dedicated to his wife Aline, blends faith and romance with the speaker addressing “Right Reverend Bishop Valentinus”:

…It seems appropriate for me to state
According to a venerable and agreeable custom,
That I love a beautiful lady.
Her eyes, Monsignore,
Are so blue that they put lovely little blue reflections
On everything she looks at…
It is like the light coming through blue stained glass,
Yet not quite like it,
For the blueness is not transparent,
Only translucent.
Her soul’s light shines through,
But her soul cannot be seen.

Joyce Kilmer’s legacy was not only his family and his works, but namesake New Jersey schools, the Joyce Kilmer House and a park, both in his New Brunswick hometown, a Bronx park at the Grand Concourse, and a memorial forest in North Carolina.  Worldwide celebrations for Arbor Day, the last Friday in April in the United States, often include the reading or singing of his poem.

As for the critics of Joyce Kilmer’s work, one might say never out of step, just sometimes out of fashion. 

Our uncle’s postcard from Vals-Les-Bains, France, a spa town before World War I

Quotes from the works of Joyce Kilmer. Published in ‘Writing New Jersey Life” blog at kathleenhelenlevey.com, June 21, 2017 Adapted text from “The Moral Quandary of Heels” All Rights Reserved © 2013 Kathleen Helen Levey

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